Olwen Foulkes, recorder
Barn Cottage Records, bcr021. 73’00
The recording is based on music that was performed in London theatres during the late 17th and early 18th-centuries. As well as the advertised play, an evening at the theatre would also have included musical and other entertainments before, during and after the play. Olwen Foulkes has researched this repertoire, using contemporary adverts in the Daily Courant for the Theatre Royal between 1702 and 1720 which listed many of these other entertainments. This impressive recording, her second with Barn Cottage Records, features examples of such entertainments, with examples from the composers Vivaldi, Locke, Corelli, Baston, Paisible, Grano, Tollet, Finger and Sammartini, either written for, or arranged by Olwen, for recorder and the small instrumental ensemble Ensemble Augelletti. Continue reading
Giuseppe Sammartini Concertos for the Organ, op 9.
Fabio Bonizzoni, La Rizonanza 63′ 17″
This is a re-release of a 2000 recording. Giuseppe was the elder brother of the better known Giovanni Battista Sammartini. Born in 1695, he left Milan for London in 1728, where he stayed until his death in 1750, making quite a name for himself. These concertos, published after his death for “Harpsichord or Organ”, are domestic in scale, with just two violins, cello and bass alongside the organ. It is not clear when they were composed, but they have more of a Rococo than Baroque feel to them, rather enhanced by the playing style on this CD. The spiky solo registrations are not in keeping with the English organ of the period, and nor is the over-articulated performance style. Bonizzoni keeps to the two-part structure of most of the organ solos (without infilling the harmonies, a debatable point for this repertoire), but it is a shame that he doesn’t make more of the organ when in its continuo role – it is more-or-less inaudible. The notes give no information on the organ, but I have a feeling it is later than this repertoire. It is certainly not in any English or Italian early to mid 18th century style. Two lively little Sonatas by Giovanni Battista Sammartini complete the disc.