AAM. Haydn: The Creation

‘A New Created World’
Haydn: The Creation

Academy of Ancient Music, Laurence Cummings, Nina Dunn Studio
Barbican Hall. 28 Sep 2021, and online

After a successful series of AAM Live 2021 live-streamed Covid concerts, the Academy of Ancient Music returned to live performance with Haydn’s Creation, conducted in the Barbican Hall by Laurence Cummings, making his debut as the AAM’s new Music Director. Haydn’s joyous paean of praise to the Biblical creation story was a splendid way to open their post-lockdown “New Worlds” themed season. Their performance also featured inventive and elaborate video designs by Nina Dunn Studio, projected onto the wide wooden rear screen of the Barbican stage.

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Continuo Foundation – update

Continuo Foundation
“Preserving historical performance in the UK

The Continuo Foundation was founded earlier this year, and was soon granted charitable status by the UK Charities Commission. Their Mission is “To support a flourishing historical performance sector, sustaining the careers of its virtuosic freelance musicians, creating opportunities for the next generation of artists entering the field and widening access to performances for communities across the UK“.  They realised that, without support, the once-thriving UK historical performance sector could be permanently damaged by Covid restrictions. To that, I would add the devastating effect of a badly-negotiated Brexit deal that seems to have ignored the vital importance to musicians of easy travel within Europe. Their immediate aim was to help period instrument ensembles to remain active by developing Covid-safe projects as a way of creating employment for musicians. Their longer term aim is to “provide a new resource for connecting ensembles, musicians, audiences, and venues in order to grow the UK’s historical performance sector and preserve its celebrated tradition of excellence“. 

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Ensemble Hesperi: From Caledonia to the Capital!

From Caledonia to the Capital!
Chamber music and song by Scottish eighteenth-century composers
Ensemble Hesperi, Angela Hicks, Rory Carver
St Mary Le Bow Church, 17 September 2021

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Financial support from the Continuo Foundation allowed Ensemble Hesperi to increase their usual line up of four instrumentalists for this concert of music by 18th-century Scottish composers. Their funding also allowed the concert to be filmed for later release. Their programme was based on the composer James Oswald, known as the “Scottish Orpheus”. He was born in Fife in 1710 and was a musician and dancing master in Dunfermline before spending time in Edinburgh. He left Scotland for London in 1741 where he published several collections of Scottish tunes. He become Chamber Composer to George III and spent the last few years his life in Knebworth House, having married the widow of the Lytton owner.

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Josquin 500: Pie memorie

Josquin 500
Pie memorie: A valediction in voices and viols
Linarol Consort, Binchois Consort
, Andrew Kirkman
Recorded in Leominster Priory. Available online until 31 October 2021


The Linarol Consort’s Josquin 500 festival, marking the 500th anniversary of Josquin des Prez’s death, is taking place during August and September 2021 with a series of live and streamed events. There are several options for booking online access to the events. The first of these events was Pie memorie: “A valediction in voices and viols” with The Linarol Consort & The Binchois Consort, recorded at a live concert in Leominster Priory on 20 August 2021 and available online from 27 August, the anniversary of Josquin’s death, until 31 October 2021. The premise for this concert was to imagine Josquin’s friends, colleagues and admirers coming together to pay their funeral respects in a house near the church of Condé sur Escaut. Viols and voices join in songs and motets of lamentation, including Richafort’s Requiem, as they hoped to aid Josquin’s soul’s route to salvation.

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BBC Proms: Saint-Saëns ‘Organ’ Symphony

BBC Proms: Saint-Saëns ‘Organ’ Symphony
Hallé, Sir Mark Elder, Benjamin Grosvenor, Anna Lapwood

Royal Albert Hall, 7 September 2021

The anniversary of the Royal Albert Hall and its monumental organ has resulted in rather more than the usual number of organ events during this year’s BBC Proms. Poulenc’s Concerto for Organ, Timpani and Strings (reviewed here) made a wonderful start on the first night. It was followed by two solo recitals (reviewed here and here) and two other very different Proms, both including the organ, on successive nights. The second of these is reviewed here, from the BBC Radio 3 broadcast.

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BBC Proms: James McVinnie


BBC Proms: ‘organ’ Prom

BBC Concert Orchestra, Anna-Maria Helsing, James McVinnie
Royal Albert Hall, 6 September 2021

The anniversary of the Royal Albert Hall and its monumental organ has resulted in rather more organ events tha usual in this year’s BBC Proms. Poulenc’s Concerto for Organ, Timpani and Strings (reviewed here) made a wonderful start on the first night. It was followed by two solo recitals (reviewed here and here) and two very different Proms, both including the organ, on successive nights, reviewed here from the BBC Radio 3 broadcasts.

The first, on 6 September and available from BBC Sounds here, was a programme of late 20th and 21st century music with the BBC Concert Orchestra, conducted by Anna-Maria Helsing. They were joined for a few pieces by the adventurous organist James McVinnie who, having survived spells at St Paul’s Cathedral and Westminster Abbey is now an enthusiastic advocate of contemporary music.

The programme opened with Einojuhani Rautavaara’s evocative 1972 Cantus Arcticus, which combines recordings of bird song with the orchestra. Judith Weir’s Still, Glowing provided a moment of calm before James McVinnie’s performance of Philip Glass’s 1989 Mad Rush, a tour de force of virtuosic energy contrasted with sections of gentle repose. It is usually assumed to be for piano but was originally performed by Glass on the organ for a visit of the Dalai Lama.

Pieces by Johann Johannsson and Arvo Pärt led to Messiaen’s Dieu est immense, a movement from his vast 1985 Livre du Saint Sacrament. James McVinnie mastered the massive Albert Hall organ well, finding just the right colours and textures for this powerful piece. The soto voce ending must have sounded magical in the hall.

Johann Johannsson’s A Sparrow Alighted on Our Shoulder was followed by Missy Mazzoli’s 2012 Holy Roller. It is presented as “devotional music for a non-existent religion” and draws on the melodies and harmonies of Thomas Tallis’s Psalm settings.

The evening concluded with the UK premiere of Canadian composer Samy Moussa’s 2014 c10′ single movement concerto for organ and orchestra: A Globe Itself Infolding. Referencing William Blake’s poem, Milton, and the Hebrew Book of Ezekiel, both of which contributed to the title, the sustained harmonies give a timeless quality to the piece. Filigree patterns appear from the organ, woodwind and brass as the piece builds to a series of climaxes. A central solo organ passage brings about a reverse in the texture, with the organ providing the sustained harmonies while the strings join in the filigree flourishes. It ends with a crescendo on a long-held open 5th, with the brass and timpani providing the inner pulse. Through well-judged registrations, James McVinnie successfully melded the organ into the texture of the orchestra.

BBC Proms: Bach & Handel

BBC Proms: Bach & Handel
Monteverdi Choir & English Baroque Soloists

Sir John Eliot Gardiner, Ann Hallenberg
Royal Albert Hall, 1 September 2021

Handel: Donna, che in ciel HWV 233
Bach: Christ lag in Todes Banden, BWV 4
Handel: Dixit Dominus

Eschewing all the social distancing provisions that the BBC Proms had arranged for orchestras, John Elliott Gardiner’s own Monteverdi Choir & English Baroque Soloists crammed tight onto the (specially enlarged) Royal Albert Hall stage for a performance of two pieces seemingly written for the same Sunday in 1707 by two 22-year-old composer, Bach and Handel, both at the start of their very different careers. This review is based on the BBC Four televised broadcast.

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BBC Proms: Organ recital 2

BBC Proms: Organ recital 2
Peter Holder, organ
Royal Albert Hall, 4 September 2021

Meyerbeer: Le prophète Coronation March, transcr. W. T. Best
Bach: Fantasia & Fugue in C minor, BWV 537
Widor: Symphony No. 5 – Allegro vivace (1st movt)
Saint-Saens: Fantaisie No. 1 in E flat major
Liszt: Fantasy & Fugue on ‘Ad nos, ad salutarem undam

The second of this year’s BBC Proms organ recitals was given by Peter Holder, sub-organist of Westminster Abbey, replacing Thomas Trotter. As part of the joint anniversaries of the Royal Albert Hall and centenary composer Saint-Saëns, the programme recreated elements of Saint-Saëns’ legendary performances on the Royal Albert Hall organ in the opening season of 1871 and in 1880.

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Silbermann Days: {oh!} Orkiestra Historyczn

Silbermann Days
Oh! Frohlockung
Concerti for two orchestras by Handel, Fasch, Richter and others
{oh!} Orkiestra Historyczna
Martyna Pastuszka, director, Arvid Gast, organ
Stadtkirche Frauenstein and livstream. 3 September 2021

Under the auspices of the Gottfried-Silbermann-Gesellschaft (the Gottfried Silbermann Society, celebrating its 30th anniversary), the 24th Silbermann Days festival (based in the region between Freiberg, Dresden and the Ore Mountains) opened on 3 September with a concert combining organ music with pieces for double orchestra. It was held, and lives-treamed, from the Stadtkirche in Frauenstein, some 33km southwest of Dresden. I am reviewing this from the live stream, which can be viewed here.

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The Trials of Tenducci

The Trials of Tenducci
A Castrato in Ireland
Irish Baroque Orchestra, Peter Whelan, Tara Erraught
Linn Records CKD 639. 65’57

COVER CKD 639

Following their 2019 recording Welcome home, Mr Dubourg, Peter Whelan, and the Irish Baroque Orchestra return to their explorations of the musical heritage of Dublin, in this case in the shape of Giusto Ferdinando Tenducci (c1735-90), a notorious Italian castrato singer who spent 3 years there in around 1765. He was born in Siena and first came to London in his early 20s. Apart from his brief time in Dublin and a very short return in later years, he spent most of the rest of his life in London. During his time in London he had contact with Johann Christian Bach (the ‘London Bach’), singing the title role in his opera Adriano in Siria. He briefly taught singing to the c20 year old Mozart in Paris, and received a now-lost concert aria in return.

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Music at the Tower: Bach for Good

Bach for Good
Music at the Tower
St Mary’s Tower, Hornsey
21 August 2021

Music at the Tower was founded in the summer of 2020 by soprano Mary Bevan MBE and cellist Jonny Byers to provide much needed employment for freelance musicians in and around London whose livelihoods had evaporated during the Covid-19 pandemic. During the summer of 2020, they employed 128 musicians and other performers in a total of 11 outdoor performances at St Mary’s Tower in Hornsey. Their most recent project was the free Bach for Good festival of Baroque music, held on Saturday 21 August at St Mary’s Tower.

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BBC Proms: Josquin


BBC Proms: Josquin des Prez
The Marian Consort
Cadogan Hall, 9 August 2021

Josquin des Prez: Praeter rerum seriem
Sethus Calvisius: Praeter rerum seriem
Josquin des Prez: Benedicta es, caelorum Regina
Adriaan Willaert: Benedicta es, caelorum regina
Josquin des Prez: Inviolata, integra et casta es
Vicente Lusitano: Inviolata, integra et casta es

Josquin des Prez (c1450/1455 – 1521) is one of the composers’ anniversaries celebrated during this years BBC Proms season, 500 years after his death. In this lunchtime concert, the Marian Consort, making their Proms debut, gave a programme of musical borrowings, contrasting three of Josquin’s greatest motets with three later musical homages that each reworked Josquin’s own music for a new age. Josquin pieces were themselves borrowings, as they use pre-existing melodies.

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BBC Proms: Organ Recital 1

BBC Proms: Organ Recital 1
Bach and Improvisations
Martin Baker
Royal Albert Hall, 1 August 2021

Yet again, the BBC Proms has programmed an organ recital at a time (11:45 on a Sunday morning) when most organists are at work. A modest audience was the obvious result. It was originally intended to have been given by Oliver Latry, organist at Notre Dame but Covid-related travel problems resulted in Martin Baker stepping in at short notice to replicate the planned programme of Bach and improvisations. The Royal Albert Hall opened in 1871, along with the mighty Father Willis organ, then powered by two steam engines and now magnificently restored by Manders. Subsequent alterations and rebuilds have now resulted in 9,999 pipes that would stretch for nine miles if laid end to end. Bizarrely, it has its own Twitter account!

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BBC Proms: First Night

BBC Proms: First Night
BBC Symphony Orchestra, BBC Singers
Dalia Stasevska, Daniel Hyde

Royal Albert Hall, 30 July 2021

And so, after two years’ absence, only partially relieved by last year’s shortened and audience-free Proms season, here we sat, to let the sound of music creep in our ears. Dalia Stasevska, the Finnish Principal Guest Conductor of the BBC Symphony Orchestra and director of last years’ Last Night, opened this year’s Proms season with a well-conceived programme of Vaughan Williams’ Serenade to Music, Poulenc’s dramatic Organ Concerto, a newly commissioned work by Sir James MacMillan and Sibelius’s Second Symphony. It was a night to remember, for many reasons.

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Gesualdo Six: English Motets

English Motets
Gesualdo Six, Owain Park
Choral music of the English Renaissance
St Martin-in-the-Fields, London
First broadcast 15 April 2021

The relationship between the Church of England and musicans has not always been an easy one. In London, two examples of turmoil in recent years have been the decision by St Sepulchre-without-Newgate in Holborn (historially known as The National Musicians’ Church and for many decades a well-known concert and rehearsal venue) to ban musicians from hiring the church for rehearsals and concerts following a take over by an Evangeical wing of the church. This was followed by a similar situation at St Martin-in-the-Fields, a venue that over the years has attracted an enormous number of visitors to the regular candlelit and other concerts promoted by individual orchestras and musicians. They stopped all outside musicians hiring and replaced it with a plan to bring all concerts in-house using their own musicians, although it does seem that at least some of the groups that helped bring international attention to the church will be giving concerts there later this year. Following these controveries, the notion of a ‘Musicians’ church’ is now subsumed with a website with around 22 churhes who are still willing to let musicians hire their buildings for music.

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AAM Live: In stil moderno

In stil moderno: Castello, Strozzi & Claudio Monteverdi
Academy of Ancient Music

Streamed from West Road Concert Hall, Cambridge. 14 April 2021

Barbara Strozzi (1619-1677) : L’eraclito amoroso & Lagrime mie
Claudio Monteverdi (1567-1643): Et e pur dunque vero & Si dolce e’l tormento
Dario Castello (c1602-1631) : Sonate concertante in stil moderno, Libro Secondo

The second in the three-concert series of AAM Live 2021 events was initially billed as a farewell to their outgoing Music Director, Richard Egarr, who is now replaced by Laurence Cummings who directed the first of their AAM Live 2021 concerts, reviewed here. Although Egarr may have been an inspiration behind this programme of music from 17th-century Venice, the concert listed two directors, the AAM’s principal violinist Bojan Čičić and keyboard player Steven Devine. They were joined by mezzo Helen Charlston. Continue reading

Bach: Matthew Passion – Amici Voices

Bach: Matthew Passion
Amici Voices
Filmed in St John’s, Smith Square
First broadcast 3 April 2021

Before the 2020 Covid-19 sequence of lockdowns, the run-up to Easter in London was musically dominated by the St John’s, Smith Square series of concerts. These traditionally culminated in a Messiah and one of the Bach Passions for the final two sell-out concerts. The concert recorded there by Amici Voices and first broadcast on Easter Saturday was as far removed from previous years as you can get. Their Matthew Passion was performed in the round in the middle of the space with no audience. It was a very refreshing alternative to the usual Easter fare.

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OAE & ABS: Rameau’s Danse des Sauvages

Rameau: Danse des Sauvages from Les Indes Galantes
Orchestra of the Age of Enlightenment & Acland Burghley School, Camden
Video released 9 March 2021

The Orchestra of the Age of Enlightenment is now based at the Acland Burghley School in Camden. In this video, a group of talented year 10 Acland Burghley students perform an original dance they choreographed for their GCSE exam, with the OAE performing Rameau’s Danse des Sauvages from Les Indes Galantes. The collaboration is an important first step in demonstrating how working together can enrich an appreciation of the arts and reinforce the positives when joining forces creatively. More information here.

David Allinson: Lunchtime Live

Lunchtime Live
David Allinson

Friday 1pm lunchtime informal online talks

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Amongst the many online activities of musicians during Covid 19 is a fascinating series of informal 45-minute Friday lunchtime chats from David Allinson, a distinguished early music conductor, singer and lecturer based in Canterbury, UK. With all his conducting engagements cancelled for the past year, he has taken to the internet in a most imaginative and engaging way. As well as running a number of online workshops for local Early Music Fora, since October 2020 he has been giving regular Friday lunchtime chats via his Facebook page and accessible on his website, where past sessions remain available.

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Suonare è danzare

Suonare è danzare
Academy of Ancient Music, Laurence Cummings, Bojan Čičić
Live from West Road Concert Hall, Cambridge. 12 February 2020

Muffat Armonico Tributo Sonata in G
Bach Sonata in E minor for violin and keyboard, BWV 1023
Telemann Concerto polonoise in B flat major
Handel  Sonata in G Op.5, No.4

It is often said by music commentators that practically all Baroque music is fundamentally based on dance. Dance was certainly a key part of 18th century life, a fundamental part of the education system, and underpinned many aspets pf social and political discourse. This is the first of a three-concert mini-festival from AAM Live 2021, live-streamed (via ticket purchase) from their Cambridge home in the West Road Concert Hall. The Acadamy of Ancient Music under Laurence Cummings (pictured), their Music Director designate, directing from the harpishcord, joined with the AAM leader, violinist Bojan Čičić for a programme of music in celebration of dance.

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OAE: Embers of Romanticism

Embers of Romanticism
Orchestra of the Age of Enlightenment, Geoffrey Paterson
OAE Player, Available online from 10 February 2020

Webern (1883-1945): Passacaglia
Wagner (1813-1883): Prelude & Liebestod from Tristan und Isolde
Pfitzner (1869-1949): Act 2 Vorspiel from Palestrina
Richard Strauss (1864-1949): ‘Interlude’ from Salome
Wagner: Act 3 Vorspiel from Die Meistersinger von Nürnberg

In this 45-minute long on-line concert (originally intended as a cancelled live concert in March 2020) the Orchestra of the Age of Enlightenment has come up with a striking departure from their usual repertoire. Although they have ventured well away from the historical Age of Enlightenment before, this concert, curated and arranged by OAE principal horn, Roger Montgomery, is a particularly inventive bit of programme planning. Playing instruments from the late Romantic era, they present a programme of music by Richard Wagner, Richard Strauss, Anton Webern and Hans Pfitzner composed during the dying embers of the Romantic era. Through direct references and thematic inferences, the music is based on Thomas Mann’s 1947 novel Doctor Faustus. In the novel (which has the sub-title of The Life of the German Composer Adrian Leverkuhn, Told by a Friend), the composer enters into a pact with the devil in which he trades his soul for artistic and musical genius. The concert is available, for a moderate fee, via the OAE Player.

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Baroque at the Edge Festival

Baroque at the Edge Festival
Recorded at  LSO St Luke’s, London
Broadcast online between 7-10 January 2021, available to 31 March 2021

In pre-coronavirus days, the musically barren early days of January have been enlivened by the imaginative Baroque at the Edge Festival, usually spanning a weekend in venues around their home base of LSO at St Luke’s in London. Previous festivals are reviewed here and here. Run by Artistic Director Lindsay Kemp and Festival Manager Lucy Bending (the team behind the London Festival of Baroque Music and its predecessor, the Lufthansa Festival), the festival has secured a place in the London concert scene with their refreshing approach to Baroque music, as exemplified by such banners as “No rules, no boundaries – just Baroque music set loose” and “Imagine if Vivaldi was a folk-fiddler, Purcell a protest-singer, or Bach a techno-geek”. The more succinct and apt “No rules, no walls” for this year’s Covid-constrained festival reflected the on-line nature of the events.

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Hanover Band: Beethoven 9

Beethoven Ninth Symphony
Beethoven 250: online festival of Beethoven Symphonies and Chamber Music
The Hanover Band, Sir Mark Elder
Recorded at London’s Mansion House
First broadcast 16 December 2020 

The conclusion of The Hanover Band’s Beethoven 250 project (previously reviewed here) came with the release of the Ninth Symphony on 16 December (the assumed date of Beethoven’s birth). Unlike the previous eight symphonies, which were recorded in Stationers’ Hall, this recording with its much larger orchestra took place in the curiously named Egyptian Hall of London’s Mansion House, the official residence of the Lord Mayor of London. All nine symphonies were recorded one after the other during August, with the Hanover Band’s associate director Benjamin Bayl as conductor for the previous 8 symphonies. He was prevented by Covid-19 regulations from travelling to the recording sessions for the Ninth Symphony, Sir Mark Elder stepped in to conduct. The recordings from the whole project can be accessed here, and Beethoven’s Ninth on the Hanover Band website here or on their YouTube channel, with programme notes, here.

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OAE Player: Messiah

Handel: Messiah
Orchetstra & Choir of the Age of Enlightenment, Christian Curnyn
recorded in St Paul’s, Knightsbridge, released 27 December 2020

This recording of Messiah was made over a couple of days in the lead up to Christmas under London’s just-applied Tier 4 Covid-19 regulations. It was rehearsed and recorded in the sumptuous mid-to-late 19th century Anglo-Catholic church of St Paul’s, Knightsbridge. One of the first of the Oxford Movement churches, it’s 1843 galleried preaching-box design gained some Victorian bling with the addition of Bodley’s 1892 chancel with its rood screen and reredos which, along with the 1870/1920 wall painting and panels, form the visual background to the performance.

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12 Days of Christmas

Rydale Festival: 12 Days of Christmas
Echo Vocal Ensemble, The Gesualdo Six and The Swan Consort
Sarah Latto, Owain Park, Anita Datta
Filmed in Castle Howard, North Yorkshire
Released daily from 25th December to 6th January

A bit of Christmas enterprise comes from three UK choral ensembles, Echo Vocal Ensemble, The Gesualdo Six and The Swan Consort, in association with the Rydale Festival and Tidze. Under the banner of Give the gift of a Choral Christmas, they present a series of 12 short concerts, filmed in Castle Howard in North Yorkshire. Links to the videos are emailed every day between 25th December and 6th January, with catch up available until the end of January 2021. There are options for simple digital delivery (for £12) or two types of gift boxes (£24/34) with additional goodies. They can be used as a gift to friends, or to yourself.

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Messiah

Handel: Messiah
Academy of Ancient Music, Richard Egarr

Live-stream from The Barbican, 19 December 2020

In what is becoming the ‘new normal’, the annual Academy of Ancient Music’s London performance of Handel’s Messiah was live-streamed (from behind a paywall) from London’s Barbican Hall. The socially-distanced, modest-sized period instrument orchestra (5,4,2,2,1 strings) and 17-strong choir filled the entire width of the stage with no apparent loss of acoustic focus in the recorded sound – the acoustics were excellent. Like any well-designed concert hall, the Barbican Hall retains the same acoustics whether or not there is an audience presence, the empty seats designed to have the same acoustic properties when empty as when sat upon. As far as I can tell, the concert is no longer available to watch, although this website might lead you to a possible viewing. The programme notes can be accessed here.

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Burghclere Baroque

Burghclere Baroque
The Spirit of Christmas
Philippa Hyde, Canzona, Theresa Caudle

Recorded at the Church of the Ascension, Burghclere, 21 December 2020

Torelli: Concerto In forma di pastorale per il Santissimo Natale
Bach: Wie lieblich klingt es in den Ohren
Arcangelo Corelli: Concerto Fatto per la notte di natale
Handel Rejoice greatly, O daughter of Zion; I know that my Redeemer liveth
Alessandro Scarlatti: Cantata pastorale per la nascità di Nostro Signor

Among the plethora of live-streams and videod concerts Burghclere Baroque, managed to put on a real concert with a real (but limited) audience in the Church of the Ascension in the village of Burghclere, on the Tier 2 side of North Hampshire close to the border of what is now Tier 4 Berkshire. It was a well-timed event – one day later, and a concert audience may well have been impossible, although a recording could have gone ahead. The concert is now available to watch on YouTube free of charge, although donations are obviously not only welcome but, in these straightened times for musicians, are pretty well essential. Donations will be divided equally between topping up the fees of the performers and the film and sound crew, to support future concerts in Burghclere, and to the Help Musicians UK Coronavirus Financial Hardship Fund.

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Beethoven 250: Hanover Band

Beethoven 250
An online festival of Beethoven Symphonies and Chamber Music
The Hanover Band, Consone Quartet, Benjamin Bayl
Recorded at the Stationers’ Hall in The City of London
& Arundel Town Hall, West Sussex

Wednesday broadcasts, September to December 2020 

One of the most enterprising and musically successful of this year’s online Covid concert series is the Beethoven 250 programme of concerts from The Hanover Band (who are also celebrated their own 40th anniversary this year) and the Consone Quartet, all playing appropriate period instruments. The series started with four concerts of chamber music, followed by the complete symphonies. The symphonies were recorded in London’s musically significent 1673 Stationers’ Hall while the chamber concerts were recorded in the Town Hall in Arundal, The Hanover Band’s home town. The venues were chosen to be similar to the size and acoustic of the venues where the original performances might have been first experienced. The homepage for the Beethoven 250 festival is here, with links to the brochure for the festival and all the broadcasts. The concerts can also be viewed on The Hanover Band’s homepage or their YouTube channel. Although the concerts can, commendably, all be viewed for free, donations are obviously not only welcome but, in these straightened times for musicians, are pretty well essential.

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Dunedin Consort: How Lonely Sits the City

How Lonely Sits the City
Dunedin Consort, Nicholas Mulroy
Filmed at Greyfriars Kirk
19 November 2020

Scheduled Live thumbnail

One of the finest of the many online concerts available during the Covid calamity comes from the Edinburgh based Dunedin Consort. Under the direction of their new Associate Director, the distinguished tenor Nicholas Mulroy, their programme was built around the rarely heard Orlande de Lassus Lamentatione Hieremiae Prophetae (Quinque vocum), the three sections of the Primi Diei acting as a binder amongst music from the 16th, 20th and 21st centuries. Unlike many such performances, the concert is, commendably, free to watch although donations are clearly not only encouraged but in the current climate, absolutely essential for the future of music making. Full details about the performance and programme notes can be found here and donation can be made here.

Orlande de Lassus: Lamentatione Hieremiae Prophetae (Quinque vocum)
Cecilia McDowall: I know that my redeemer liveth
Lassus: Lamentatione Hieremiae Prophetae
Ninfea Cruttwell-Reade: Vigil I
Rudolf Mauersberger: Wie liegt die Stadt so wüst
Lassus: Lamentatione Hieremiae Prophetae
William Byrd: Ne irascaris Domine – Civitas sancti tui
James MacMillan: Miserere

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OAE Player: Seeing Double

Seeing Double’
Orchestra of the Age of Enlightenment, Jonathan Cohen
Kati Debretzeni, Nicola Benedetti, Rudolfo Richter
Katharina Spreckelsen, Sarah Humphrys
OAE Player. 19 November 2020

Avision Concerto Grosso no.5 in D minor
Vivaldi Concerto in D for two violins RV 513
Vivaldi Concerto in D for two violins RV 514
Vivaldi Concerto in A minor for two oboes RV 536
Bach Concerto in D minor for two violins BWV 1043
Purcell Rondeau from Abdelazer

The second of the Orchestra of the Age of Enlightenment’s premieres on their digital platform OAE Player was a concert of Vivaldi and Bach double concertos recorded at the Snape Maltings in front of a socially-distanced audience. Many people will have already heard or seen an expanded version of the programme as one of the live concerts of the much reduced 2020 BBC Proms season. The principal violin soloist for both concerts should have been Alina Ibragimova, but the death of her father (the distinguished double bass player Rinat Ibragimov) the day before the Prom resulted in Nicola Benedetti stepping in for the Proms and this concert, which seems to have been recorded the following day in the far more suitable acousics of the Snape Maltings.

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