Blanchard: Magnificat à la Chapelle Royale
Trois motets à grand chœur
Chœur de chambre Les Eléments, Orchestra Les Passions, Jean-Marc Andrieu
Ligia: Lidi 020231-16, 77’00
Antoine Blanchard: Magnificat (1741), De Profundis (1740), In exitu Israel (1749)
Antoine Blanchard (1696-1770) is a rather shadowy figure in French musical history. There is far more information in Bernadette Lespinard’s detailed CD notes than can be found in other source that I could find on the internet in English. He is sometimes given the additional first names of Esprit-Joseph, although he never used them himself. He was a choirboy in the Saint-Sauveur Cathedral in Aix-en-Provence, and became a cleric from about 18. Transgression of the rules led to his departure from this role after only one year. He then moved to Marseilles as director of music at Saint-Victor, although he spent two years away in Toulon, detained there by the plague. Whilst building up his contacts in Paris, he worked in the choir school at Amiens Cathedral, eventually getting a Royal appointment in the Versailles Musique de la Chapelle in 1738.
The three large-scale motets à grand chœur recorded here (two are world première recordings) represent the music of the Court Chapel of Louis XV in the 1740s. Shorn of some of the daintiness and delicacy of the high baroque, Continue reading