2026 York Early Music International Young Artists Competition

2026 York Early Music International Young Artists Competition
National Centre for Early Music
York, 9-11 July 2026

The biennial York Early Music International Young Artists Competition was founded in 1985. It takes place in the National Centre for Early Music (NCEM) in the impressively restored and extended former church of St Margaret’s, Walmgate in York. It forms the conclusion of the annual York Early Music Festival, celebrating its 50th birthday this year. A few events from the Festival are reviewed here.The theme for the festival was Beyond Borders, which perfectly sums up the focus of the Young Artists Competition, with its international cohort of performers presenting music from around the world, ranging from the Middle Ages to the nineteenth century, using historically informed playing techniques, instruments and stylistic conventions. The competition is open to ensembles of at least three people, with performers aged 36 years or under, with an average age of 35 years or under on the day of the final. During the two days before the final, the nine ensembles gave informal concerts, with no judges present, all compared by Steven Devine. The final was livestreamed and recorded by BBC Radio 3. Highlights will be broadcast on the Early Music Show on 30 August at 5pm, and will be available afterwards on BBC Sounds.

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2024 York Early Music International Young Artists Competition

York Early Music International Young Artists Competition 2024
National Centre for Early Music
York, 13 July 2024


Founded in 1985, the biennial York Early Music International Young Artists Competition takes place in the National Centre for Early Music (NCEM) in the former church of St Margaret’s, Walmgate in York. As usual, it formed the conclusion of the annual York Early Music Festival. The competition is open to ensembles with at least three members aged 36 years or under with an average age of 32 or less. The repertory must be from the Middle Ages to the nineteenth century, and performers must use historically informed playing techniques, instruments and stylistic conventions.

This year, nine ensembles were selected by the Festival’s Artistic Advisors based on audio recordings but one, the Swiss-based ensemble BREZZA had to withdraw before the final. As usual, the two days before the final featured informal recitals under the guidance of conductor and keyboard player Steven Devine. These informal recitals allow finalists to adapt to the performance space and get to know the audience before the competition final. The Competition final takes place before an international jury (on this occasion Bart Demuyt, Philip Hobbs, Elizabeth Kenny, Lionel Meunier and Emily Worthington) with an audience that includes representatives of the broadcasting, recording, festival and music promotion worlds. It is a key opportunity to identify new and promising young talent.

The final was broadcast live on the NCEM YouTube channel, and can be viewed here – there is also a link to the detailed programme for the final. The final was also recorded by BBC Radio 3, and highlights will be broadcast on the Early Music Show on 3 November and will be available afterwards on BBC Sounds.

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Henri-Jacques de Croes: La Sonate Égarée

Henri-Jacques de Croes: La Sonate Égarée
BarrocoTout
Linn Records CKD 597. 62’19

CKD 597 Cover

BarrocoTout (Carlota Garcia, flute, Izana Soria, violin, Edouard Catalan, cello, and Ganael Schneider, harpsichord) are named after a sketch in a Spanish comedy show: Barroco Tú (= Baroque yourself). They got together during their studies at the Royal Conservatoires, Brussels in 2013. They were selected for the EEEmerging (Emerging European Ensembles) project in 2015 and in 2016 won awards at the Utrecht Early Music Festival. This debut recording by Linn Records is one of their prizes for winning the 2017 York Early Music International Young Artists Competition. It is appropriate for them to choose a little known composer, in this case, the Antwerp born Henri-Jacques de Croes (1705-86).

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