NSO: Charpentier David and Jonathan

Charpentier: David and Jonathan
New Sussex Opera,
Bellot Ensemble, Toby Purser
Theatre Royal, Winchester. 25 October 2026


New Sussex Opera and the Bellot Ensemble completed a short South-East England tour of Charpentier’s David and Jonathan with a performance in the Theatre Royal, Winchester, on World Opera Day. This follows their 2024 tour of The Dragon of Wantley, reviewed here. The first performance of David et Jonathas was at the Jesuit Collège of Louis-le-Grand, Paris in February 1688 when it was performed together with the play, Saul, with each of the five Acts of the Charpentier’s tragédie en musique interspersed with sections of the play. A huge success at the time, it was reprised at several other Jesuit colleges over the following 50 years, but was then more or less forgotten until recent times. New Sussex Opera is a community opera company based in Lewis, the community providing the chorus and various subsidiary solo roles in this production and, presumably, also helping to raise the funds for touring performances like this. Some of those funds went towards engaging the Bellot Ensemble, currently Radio 3 New Generation Baroque Ensemble and the six principal soloists for this production: Harun Ellis Tekin, David, Tom Lilburn, Jonathan, Massimo Modoni, Saul, Daniel Chomiak, Achis/Samuel, Nadiia Chaichenko, Pythoness, and Ambrose Chiu, Joabel.

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The Dragon of Wantley

Frederick Lampe: The Dragon of Wantley
New Sussex Opera, Bellot Ensemble, Toby Purser
Theatre Royal, Winchester. 28 April 2024


As part of a short tour of south-east England, the New Sussex Opera brought their production of Frederick Lampe’s 1737 opera The Dragon of Wantley (1737) to the splendid surroundings of the Theatre Royal, Winchester. It is a fascinating piece, full of political and musical allusions that would probably have been obvious to the London audience of the time but may evade the average 21st-century audience. It is based on a dragon-slaying legend at Wharncliffe Crags (aka Wantley), north-west of Sheffield. It was the subject of a 1685 broadside ballad and Lampe’s 1737 popular opera to a text by Henry Carey. The dragon causes havoc to the local community until the local squire, Moore of Moore Hall is persuaded to deal with it,. He demands a night (and more) from the 16-year-old Margery. The jealousy of his mistress Mauxalinda provides much of the plot. Eventually, a fatal kick to the dragon’s most vulnerable spot (pictured above) solves the dragon problem, if not the girlfriend issue.

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