Sonatas for two violins

Sonatas for two violins
Johannes Pramsohler, Roldán Bernabé
Audax ADX13714. 63’04

Louis-Gabriel GUILLEMAIN Sonata in d minor, Op4.2
Jean-Marie LECLAIR Sonata in B flat, Op12.6
Jean-Pierre GUIGNON Les Sauvages, Tendrement, La Fustemberg Op8
Nouvelles variations des Folies d’Espagne Op9
Étienne MANGEAN (c1710-c1756 Sonata in g minor, Op3.6

Johannes Pramsohler and the Audax record company are a busy lot, issuing a steady stream of recordings, all of which are gems. Here is another one, this time with 18th-century music for two violins. These are true duets, with no bass line or other instrumental involvement. A rather unusual repertoire but well worth recording and hearing. Playing on violins dating from 1713 and 1748, Johannes Pramsohler and Roldán Bernabé achieve a remarkable cohesion of tone and of playing. It is sometimes difficult to believe there are two people playing, such is the balance between them. Continue reading

Conversed Monologue

Conversed Monologue
Fantasticus XI
Resonus RES10166. 70’08

Graun: Concerto for Viola da Gamba in C; Leclair: Concerto for Violin in G minor; WF Bach: Concerto for Harpsichord in F major.

I have been impressed with previous CDs by Fantasticus (see here) and am equally impressed by their latest project, now expanded from their usual trio into a small baroque orchestra with the name of Fantasticus XL. All three members of the original Fantasticus take solo roles in the featured concertos – and what fascinating pieces they are. One of the joys of this recording is that all three pieces are little-known, but well worth discovering.

When the CD starts, it is difficult to appreciate that this is the start of a viola da gamba Concerto, such is the bravado and élan of Graun’s opening phrase. Continue reading