London Festival of Baroque Music

‘Baroque at the Edge: pushing the boundaries’
London Festival of Baroque Music
St John’s, Smith Square & Westminster Abbey
12-20 May 2017

IMG_20170515_091152885.jpgAfter reforming, renaming, and regrowing itself from the long-running Lufthansa Festival, the London Festival of Baroque Music has become, phoenix-like, one of the most important early music festivals in London. Under the banner of ‘Baroque at the Edge: pushing the boundaries‘, this year’s LFBM used the music of Monteverdi and Telemann, from either end of the Baroque (and both with anniversaries this year) to explore ‘some of the chronological, geographical and stylistic peripheries of Baroque Music’. With one exception, all the concerts were held in the Baroque splendour of St John’s, Smith Square. Continue reading

European Union Baroque Orchestra: Farewell

European Union Baroque Orchestra
Maria Keohane, Lars Ulrik Martensen
London Festival of Baroque Music
St John’s, Smith Square. 19 May 2017

IMG_20170519_163842318.jpgOne of the key events of the London Festival of Baroque Music was final concert of the current incarnation of the European Union Baroque Orchestra, and orchestra I have been reviewing enthusiastically for many years. After extensive annual training auditions attracting around 100 applicants, aided by leading period performers, around 30 instrumentalists are selected each year to tour a series of concerts around Europe. But this concert was also, very sadly, the very last EUBO concert in its present state as a UK-managed organisation. Founded 32 years ago as a UK initiative (during the 1985 European Music Year), and managed ever since from its base near Oxford, the vote by a small percentage of the UK population to drag the UK out of the European Union means that it is no longer viable to run an EU venture from the UK. In its 32 years, EUBO has encouraged and nurtured around 1000 young musicians, giving some of the finest period instrumentalists around an early grounding in performance practice at the start of their careers. For the future, after a hiatus of a year to allow for the transfer, when there will be no auditions or orchestra , EUBO will restart from a new base, and with new management, based in the music centre AMUZ in Antwerp. Continue reading