EUBO: Heaven’s Sweetness

Heaven’s Sweetness
European Union Baroque Orchestra (EUBO) & Singers of Barock Vokal
Alfredo Bernardini, director & oboe
St John’s, Smith Sq. 27 January 2017

Bach 
Orchestral Suite No. 4 in D BWV 1069a (original version); 
Cantata: Liebster Immanuel, Herzog der Frommen BWV 123; 
Cantata: Süßer Trost, mein Jesus kömmt BWV 151;
Cantata: Sei Lob und Ehr dem höchsten Gut BWV 117.

Image may contain: 2 people, people on stage and indoorPart of the 2015 expansion of the European Union Baroque Orchestra’s activities has been the EUBO Mobile Baroque Academy (EMBA), a cooperative project aimed at finding new and creative ways of addressing the unequal provision of baroque music education and performance across the European Union. The touring orchestra (EUBO) still forms the core activity of the EMBA, reforming each year with a new intake of talented young period instrumentalists chosen from educational auditions held each spring. For more than 30 years EUBO has provided specialist training and experience, and has encouraged and supported many of the top period instrument specialists around today. One such is the distinguished oboist and director Alfredo Bernardini, a member of the very first EUBO in 1985 and the director of this EUBO tour.

The current EUBO incarnation represents 14 different EU countries. They have been performing together since last July, and last performed in London in November 2016 (reviewed here) with a programme based on Handel and his London contemporaries. For this concert they focussed on Bach, performing three of the cantatas that he wrote for Leipzig festivals along with one of his most complex Orchestral Suites, here performed in the rarely heard original version, lacking the trumpets and timpani of the later version. Continue reading

European Union Baroque Orchestra: Handel etc.

Handel and his London Colleagues
European Union Baroque Orchestra (EUBO)
Lars Ulrik Mortensen, director, Jan Van Hoecke, recorder
Royal Greenwich Early Music Festival
St Margaret’s, Lee Terrace, Blackheath. 22 November 2016

Galliard: Dances from Pan & Syrinx;  Handel: Concerto Grosso Op 6/2;  Babell: Recorder Concerto Op 3/1; Handel: Ballet music from Alcina; Sammartini: Recorder Concerto in F
Geminiani; Concerto Grosso Op 3/2; Handel: Water Music Suite No 3.

For most of my reviewing career, one of the musical highlights has been the visit of the European Union Baroque Orchestra (EUBO) to the UK. This extraordinary orchestra was founded in the UK in 1985, during European Music Year and the anniversaries of Bach, Handel and Scarlatti. Over the intervening 30 years or so, through their concerts and recordings, they have carved out an enviable reputation as an exciting orchestra whose professional and musical standards are always of the very highest. Many people listening to a EUBO concert for the first time are amazed to find out their unusual story. Not only is the orchestra made up of young post-graduate instrumentalists, broadly around the mid-20s age range, but every year the entire orchestra is disbanded, to be reformed the following year after a round of auditions.

Eubo Blackheath 2.jpg

Around 100 musicians attend one of two four-day residential training courses. All attendees gain from specialist training in their instrument as well as experience of playing in small groups and as an orchestra. From these courses, Continue reading