Rosa Mystica. Musical Portraits of the Blessed Virgin Mary

Rosa Mystica: Musical Portraits of the Blessed Virgin Mary
Royal Birmingham Conservatoire Chamber Choir
Paul Spicer conductor, Callum Alger organ,
Somm, SOMMCD 0617. 62’45

This recording from the Royal Birmingham Conservatoire Chamber Choir presents a wide variety of musical portraits of the Blessed Virgin Mary, covering composers from the early 16th-century to the present day. It takes its title from Benjamin Britten’s setting of a Jesuit text by Gerard Manley Hopkins. Continue reading

Gabrieli Consort: A Rose Magnificat

A Rose Magnificat
The Gabrieli Consort, Paul McCreesh
St John’s, Smith Square. 8 June 2017

Leighton Of a Rose  /  Tallis Videte Miraculum á 6
Warlock As dew in Aprylle  /  White Magnificat á 6
Macmillan  /  Sheppard  /  Park Ave maris stella
Wylkynson Salve Regina á 9  /  Howells Salve Regina
Lane There is no rose  /  Matthew Martin Rose Magnificat (world premiere)

This fascinating concert collected together a seemingly random selection of pieces from old to very new, all dedicated to the Virgin Mary. Grouping the pieces in twos or three enhanced the experience of contrast, starting with the pairing of Kenneth Leighton’s setting of the 15th century text Of a Rose with Tallis’s magnificent 6-part Videte Miraculum. Soprano Ruth Provost was the soloist in the Leighton, weaving the refrain Of a Rose around and through the rhythmically homophonic choir texture. The contrasting tight-knit and multi-stranded polyphony of Tallis, with his distinctive ‘false relations’ provided a perfect contrast. This pair was followed by the slithering close harmonies of Warlock’s short and rhythmically complex double choir As dew in Aprylle, contrasted with White flamboyant and expansive six-plus part Magnificat, the continuous inner movement and long melismas of the latter giving the piece a timeless quality. Continue reading