Partimenti Napoletani

Partimenti Napoletani
Music for Keyboard Instruments by Paisiello, Durante & Dol
Nicoleta Paraschivescu
with Katharina Heutjer, violin
Deutsche Harmonia Mundi 19075896222. 54’06

Partimenti Napoletani. Music for Keyboard Instruments by Paisiello, Durante & Dol

Although this recording would make a very acceptable recital of music for harpsichord and organ (and occasional violin) there is far more to it than that. In fact, unless you already know what a partimento is, I suggest you have a listen before you read any more, because what I am about to reveal might surprise you, given the nature of the music you will hear. You can find extracts of all the pieces here, but I particularly recommend the first and the fifth one on the list – Paisiello’s Partimento in D and Durante’s Intavolatura in A minor. Continue reading

Durante: Requiem

Francesco Durante: Requiem in C minor, Organ Concerto in B flat
Christ Church Cathedral Choir, Soloists from The Sixteen, Oxford Baroque
Stephen Darlington, Clive Driskill-Smith
Coro COR16147. 63’27

Durante: Requiem in C, Organ Concerto in B flat.

Better known as a teacher (of the likes of Pergolasi, Jommelli, and Piccini), the compositions of Francesco Durante (1684-1755) have been rather overlooked since his death. Born near Naples, he studied with A. Scarlatti and (possibly) Pasquini and spent a brief time in Rome before returning to Naples where he became musical director of a number of conservatories; by that time extending their original 16th century remit from the care of orphans to include specialist teaching for paying music students. Although some commentators complimented Durante on his compositions, they tended to focus on his “correct writing” and his facility with harmony and counterpoint, factors which go to make this Requiem so fascinating.

The Requiem in C minor is thought to have been first performed in S. Giacomo degli Spagnoli in Rome in 1746, although there is some doubt Continue reading