English Baroque Soloists: Haydn in London

Haydn in London
English Baroque Soloists
Peter Whelan, Christophe Coin

St Martin-in-the-Fields, 18 June 2026

Charlotte Spruit, leader of the English Baroque Soloists

Haydn: Symphony No. 100 in G major (Military)
Haydn: Cello Concerto No. 2 in D major
J.C. Bach:
 Symphony in G minor
Haydn: Symphony No. 104 in D major (London)

Haydn is a little outside my usual early music reviewing radar, apart from the occasional Creation, which I’m afraid always gives me the giggles. So an evening with three major Haydn pieces was a bit of an eye and ear opener for me. Part of the 300th anniversary celebrations of St Martin-in-the-Fields, this concert from the English Baroque Soloists featured music written and first performed within a stone’s throw of the church. A pre-concert talk by historian Katherine Alcock set the historic scene, with conductor Peter Whelan joining for a discussion on the evening’s music.

Continue reading

Bach Through Time

‘Cello Unwrapped’ – Bach Through Time
Christophe Coin, cello & piccolo cello

Kings Place. 11 January 2017

Domenico Gabrielli: Ricercar No. 3 in D
JS Bach: Cello Suite No. 2 in D minor, BWV 1008
Dall’Abaco: Capriccio No. 8 in G; Capriccio No. 6 in E minor (collage)
Bernhard Romberg: Praeludium in C minor
Félix Battanchon: Pièce caractéristique (Enterrement de Carnaval c1850)
JS Bach: Cello Suite No. 6 in D, BWV 1012 (performed on cello piccolo)

Following on from last years’ Baroque Unwrapped series of concerts, the latest in the Kings Place ‘Unwrapped’ series is devoted to the cello (see here). Included within that series are threWP_20170111_21_41_56_Pro.jpge concerts under the title of Bach Through Time, the first of which featured Christophe Coin playing solo cello – or, in this case, two solo cellos with three different bows. He opened with one of the very first compositions for solo cello, the third of Domenico Gabrielli’s Ricercars, a lively piece in the trumpet key of D major which included many triad fanfare motifs. This Gabrielli (no relation) was part of the rich musical foundation of the Basilica of San Petronio in Bologna and also worked for the d’Este family in Moderna. Continue reading