Bach: Johannes-Passion

J S Bach: Johannes-Passion
Collegium Vocale Gent, Philippe Herreweghe
Outhere/PHI LPH031. 2CDs 107’08

 

Cover of CD of Herreweghe Bach Johannes Passion

I can often predict the way in which a performance of the Johannes-Passion is going to develop by the manner in which the opening instrumental bars are performed. The texture appears simple. Swirling low strings underpinned by the repetitive pulse of continuo bass, with two oboes slowly intertwining dissonance-laden melodic lines above them. It is one of those passages of music that can be interpreted in many ways, resulting in differing moods ranging from sinister, threatening, mysterious, to gently calming. Continue reading

Bach: Du treuer Gott

J S Bach: Du treuer Gott
Leipzig Cantatas BWV 101 – 103 – 115

Collegium Vocale Gent, Philippe Herreweghe
Outhere music LPH027.62’26
Nimm von uns, Herr, du treuer Gott BWV 101
Mache dich, mein Geist, bereit BWV 115
Ihr werdet weinen und heulen BWV 103

Following two earlier CDs (LPH006 and LPH012) that focussed on cantatas written during Bach’s first year in Leipzig, this recording looks at the second cycle of cantatas, composed in 1724/5. Nimm von uns, Herr, du treuer is based on the chorale melody better known as Vater unser im Himmelreich, the Lutheran version of the Lord’s Prayer. Apart from the first aria (with its delightfully jovial flute solo), this well-known melody is heard in all movements. The two recitatives are interesting, with both alternating the chorale melody with recitative passages, the first in a particularly dramatic mood, the second with some evocative harmonic sequences. The central bass aria also switches between chorale and aria. Bach uses a strong orchestration, with three trombones, three oboes, an oboe da caccia, and a cornett – an unusual use of an instrument that would have been seen as distinctly old-fashioned at the time. The final aria, a reflective duet for soprano and alto, combines flute and oboe da caccia.  Continue reading