Strozzi: Virtuosa of Venice

Barbara Strozzi: Virtuosa of Venice
Fieri Consort
Fieri Records FIER003VOV. 67’18

The Fieri Consort was founded in 2012 by members of the Genesis Sixteen training programme to perform music from 16th and 17th-century Italian repertoire. This is their third CD and focusses on the music of the distinguished Italian composer Barbara Strozzi and her contemporaries Giovanni Girolamo Kasperger, Bartolomeo Selma y Salaverde, Benedetto Ferrari, Claudio Monteverdi. Strozzi is a fascinating musician, not least as a female musician in a man’s world. She had liberal and artistic parents – her father was the poet Giulio Strozzi. When she was 18 (in 1637) he founded the Accademia degli Unisoni specifically to display his daughter’s musical skills. She quickly became famed across Venice as a singer who could ‘steal the souls of her listeners through their ears with sweetness’. Continue reading

Barbara Strozzi: Star of Venice

Barbara Strozzi: Star of Venice
Orchestra & Choir of the Age of Enlightenment
Mary Bevan, Christian Curnyn
Kings Place, 10 January 2018

Barbara Strozzi: L’amante modesto, Pace arrabbiata, Lagrime Mie, Canto di bella bocca,
E pazzo il mio core, Le tre Gratie a Venere, 
Silenzio nocivo
Claudio Monteverdi: Volgendo il ciel, Il ballo delle ingrate

For several years now, Kings Place has selected a specific theme for each year under the banner of ‘Unwrapped’. Past examples have included Time Unwrapped, Cello Unwrapped, Baroque Unwrapped, and Minimalism Unwrapped. Their offering for 2019 is the enticing named Venus Unwrapped. The year-long series of around 60 concerts aims to “unlock the secret history of music by women”. It opened with a focus on Barbara Strozzi, one of the best known of the very few female composers of the Baroque era – or, indeed, of any era if musical history is to be believed. The painting below (The Viola da Gamba Player) is believed to be off Barbara Strozzi.

Strozzi.jpg

The distinguished conductor Christian Curnyn directed a group of singers and instrumentalists from the Orchestra & Choir of the Age of Enlightenment, with Mary Bevan as the main billed soloist, although several other singers had prominent roles.

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