JS Bach/JC Bach/CEP Bach: Magnificats

JS Bach, JC Bach & CPE Bach: Magnificats
Arcangelo, Jonathan Cohen
Hyperion CDA68157. 76’48

This recording has the same programme as the concert in St John’s, Smith Square in October 2015. The CD was recorded a few days after the concert, in the church of St Mary the Virgin and St Mary Magdalen in Tetbury, Gloucestershire, but has only recently been released. The acoustics of this large Gothic church (with its wide nave and tiny side aisles) are more generous than St John’s, Smith Square, giving an added bloom to the sound, although the spacing of the musical forces sometimes gives more of a sense of distance that the more compact London stage avoided. Unlike the concert performance, the CD opens with JS Bach’s 1733 reworking of his earlier E flat version, written for his first Christmas in Lübeck in 1723. It is given a forthright performance without the irritating gaps between movements that I mentioned in the concert review.  Continue reading

Glyndebourne: Le nozze di Figaro

Glyndebourne: Le nozze di Figaro
Orchestra of the Age of Enlightenment,
Jonathan Cohen
Glyndebourne Festival Opera. 15 July 2016

Le nozze di Figaro was the first opera to be performed at Glyndebourne at its opening festival in May 1934, and it has been a regular ever since. This performance was a return of the 2012 production, directed by Michael Grandage, with Ian Rutherford as the revival director. I didn’t see the 2012 version, so am not able to compare or note any differences, but the sumptuous sets, and costumes are the same. Those who wanted more of the story of Figaro could also have seen Rossini’s Il barbiere di Siviglia at Glyndebourne a few weeks earlier, for the back-story to Mozart’s Le nozze di Figaro, with Figaro relieved of his interim job as a barber and returned as the servant of Count Almaviva and his Countess.

The setting was clearly Seville, although the dating takes a little while to reveal itself. Glorious architectural depictions of Moorish architecture Continue reading