“In the Belly of the Beast“
Élisabeth Claude Jacquet de La Guerre: Cantates Bibliques
Carolyn Sampson, Mariana Rodrigues
Liam Burne, Lynda Sayce, Alice Earll
Metronome London, 27 June 2026
London’s latest record-breaking heatwave, combined with the lack of air conditioning at the previous evening’s venue, turned this into the opening event of this year’s Spitalfields Festival. The air conditioning at this event in Metronome London (a small black-box venue forming part of a new building that seems to house elements of various out-of-London universities) certainly made itself felt, to the bizarre extent that the organisers emailed attendees to warn them to bring additional clothing, something that was apparently easier than anybody actually turning the air conditioning down! The concert featured a staging of three of Élisabeth Claude Jacquet de La Guerre’s Cantates françoises sur des sujets tirez de l’Écriture à voix seule, et basse-continue, published in two volumes in 1708 and 1711, sometimes referred to as Cantates Bibliques.
least given the nature of Armonico Consort’s rather staid production. It was also singularly unwise of director Christopher Monks to tell us all in his introductory talk that we would have “never seen a performance like this before”. I am still not quite sure what he meant by that remark, but it kept me waiting for something special or unusual to happen – which it didn’t. His comment did turn out to be true, in a way, but not in the way that I think he intended. 
Andrew Benson-Wilson : Early Music Reviews + 