Larmes de Résurrection

Larmes de Résurrection
La Tempête, Simon-Pierre Bestion
Alpha Classics ALPHA 394. 77’18

Schütz: Historia der Auferstehung Jesu Christi
Schein: Israelsbrünnlein

If you are a confirmed authenticist, this recording is probably one to miss. But what it lacks is HIP (historically informed performance), is gains in inventiveness and imagination plus several curiosities. The music is Heinrich Schütz’s Historia der Auferstehung Jesu Christi  and Johann Schein’s Israelsbrünnlein, both works dating from 1623 and both influenced by Italian music. Simon-Pierre Bestion intersperces sections of the two works with each other, segueing from the ‘Story of the Resurrection’ to ‘Fountains of Israel‘ with surprising musical, if not historical or literary, ease. It was recorded in the sumptuous surroundings and acoustics of the Chapelle Royale at Versailles; a deal that includes some promotional puff in the liner notes. The acoustic is a little too generous for some of the pieces using smaller forces, although it responds to the more powerful moments. Continue reading