Look, no Bass!
Orchestra of the Age of Enlightenment
OAE Player from Thursday 25 November
The Orchestra of the Age of Enlightenment is a self-managed and democratic orchestra and gives its players considerable freedom to choose programmes and music. In their latest video offering on their OAE Player, Look, No Bass!, the OAE’s violinists present a programme of music for violins alone, highlighting the various textures and colours of their ubiquitous instrument. Their programme includes Telemann’s two Concerti for Four Violins, his programmatic Gulliver Suite Duo (from Der getreue Musikmeister), and arrangements by the OAE violinists of a Gabrieli Canzon and pieces by the English composers Matthew Locke and John Adson.
Sea Voyages and Salvation
Orchestra of the Age of Enlightenment
Roderick Williams, Kati Debretzeni
Recorded at New St Lawrence Church, Ayot St Lawrence
First broadcast on OAE Player 8 June 2021
Graupner Fahre auf in die Höhe
Telemann Concerto for 3 oboes & 3 violins in Bb
Bruhns Mein Herz ist bereit
JS Bach Cantata BWV 56 Ich will den Kreuzstab gerne tragen
The Orchestra of the Age of Enlightenment continue with their Covid series of on-line OAE Player concerts with Sea Voyages and Salvation, with music by Grauper, Telemann and Bruhns, culminating in Bach’s cantata Ich will den Kreuzstab gerne tragen. Whether by design or default, two of the composers were the first and second choices for the post of Thomaskantor in Leipzig which Bach was eventually offered after Graupner and Telemann turned it down.
Embers of Romanticism
Orchestra of the Age of Enlightenment, Geoffrey Paterson
OAE Player, Available online from 10 February 2020
Webern (1883-1945): Passacaglia
Wagner (1813-1883): Prelude & Liebestod from Tristan und Isolde
Pfitzner (1869-1949): Act 2 Vorspiel from Palestrina
Richard Strauss (1864-1949): ‘Interlude’ from Salome
Wagner: Act 3 Vorspiel from Die Meistersinger von Nürnberg
In this 45-minute long on-line concert (originally intended as a cancelled live concert in March 2020) the Orchestra of the Age of Enlightenment has come up with a striking departure from their usual repertoire. Although they have ventured well away from the historical Age of Enlightenment before, this concert, curated and arranged by OAE principal horn, Roger Montgomery, is a particularly inventive bit of programme planning. Playing instruments from the late Romantic era, they present a programme of music by Richard Wagner, Richard Strauss, Anton Webern and Hans Pfitzner composed during the dying embers of the Romantic era. Through direct references and thematic inferences, the music is based on Thomas Mann’s 1947 novel Doctor Faustus. In the novel (which has the sub-title of The Life of the German Composer Adrian Leverkuhn, Told by a Friend), the composer enters into a pact with the devil in which he trades his soul for artistic and musical genius. The concert is available, for a moderate fee, via the OAE Player.
Orchetstra & Choir of the Age of Enlightenment, Christian Curnyn
recorded in St Paul’s, Knightsbridge, released 27 December 2020
This recording of Messiah was made over a couple of days in the lead up to Christmas under London’s just-applied Tier 4 Covid-19 regulations. It was rehearsed and recorded in the sumptuous mid-to-late 19th century Anglo-Catholic church of St Paul’s, Knightsbridge. One of the first of the Oxford Movement churches, it’s 1843 galleried preaching-box design gained some Victorian bling with the addition of Bodley’s 1892 chancel with its rood screen and reredos which, along with the 1870/1920 wall painting and panels, form the visual background to the performance.
Orchestra of the Age of Enlightenment, Jonathan Cohen
Kati Debretzeni, Nicola Benedetti, Rudolfo Richter
Katharina Spreckelsen, Sarah Humphrys
OAE Player. 19 November 2020
Avision Concerto Grosso no.5 in D minor
Vivaldi Concerto in D for two violins RV 513
Vivaldi Concerto in D for two violins RV 514
Vivaldi Concerto in A minor for two oboes RV 536
Bach Concerto in D minor for two violins BWV 1043
Purcell Rondeau from Abdelazer
The second of the Orchestra of the Age of Enlightenment’s premieres on their digital platform OAE Player was a concert of Vivaldi and Bach double concertos recorded at the Snape Maltings in front of a socially-distanced audience. Many people will have already heard or seen an expanded version of the programme as one of the live concerts of the much reduced 2020 BBC Proms season. The principal violin soloist for both concerts should have been Alina Ibragimova, but the death of her father (the distinguished double bass player Rinat Ibragimov) the day before the Prom resulted in Nicola Benedetti stepping in for the Proms and this concert, which seems to have been recorded the following day in the far more suitable acousics of the Snape Maltings.
Apollo e Dafne
Orchestra of the Age of Enlightenment, Roderick Williams
Rowan Pierce, Katharina Spreckelsen
OAE Player. 9 November 2020
Telemann Der am Ölberg zagende Jesus TWV 1: 364
JS Bach Cantata, Ich habe Genug BWV 82
Handel Concerto Grosso Op. 3 No. 2/1
Handel Apollo e Dafne HWV 122
The Orchestra of the Age of Enlightenment (OAE) has responded to the Covid crisis by opening a new digital platform, OAE Player. For this Premiere Night concert, they were billed as returning to their resident home at the Southbank Centre for the first time since the first lockdown although, as you will read, that turned out to be not quite the reality. Each of the filmed concerts (there are currently twenty available on the OAE Player) are available to watch individually for a great deal less than a concert ticket (and without the costs of travel) or there is an option of accessing all the concerts with an annual pass.