Laus Polyphoniae 2026: International Young Artist’s Presentation

Laus Polyphoniae 2026
International Young Artist’s Presentation (IYAP)
AMUZ, Antwerp. 22 August 2026

The annual International Young Artist’s Presentation (IYAP) is a coaching and presentation scheme promoted by AMUZ (the Flanders Festival Antwerp) and Musica. Its aim is to help promising young musicians “grow into tomorrow’s stars”. Six young early music ensembles are invited to three days of coaching by early music specialists before performing short programmes during public concerts on the first Saturday of the Laus Polyphoniae festival (reviewed here). Although part of the festival, their music is not linked to the festival programme. Unlike many similar international young artist events, this is not a competition but an informal opportunity for young musicians to develop their performing style. An invited group of concert promoters and influential others comment privately on these public performances. Scarily for me (and possibly them) my reviews are far from private, but I hope they will be equally helpful.

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International Young Artists Presentation (IYAP)

International Young Artists Presentation
Laus Polyphoniae 2022
AMUZ, Amtwerp. 20 August 2022

The International Young Artist’s Presentation (IYAP) is an annual coaching and presentation scheme promoted by Musica and AMUZ (Flanders Festival Antwerp). It is intended for young ensembles playing historical instruments. They are invited to present innovative and original programmes and to experiment with aspects of presentation and performance. The selected groups are given three days of coaching (on this occasion, led this year by Raquel Andueza and Robert Hollingworth, which is followed by a day of public concerts at the start of the Laus Polyphoniae festival, reviewed here.

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Antwerp: International Young Artist’s Presentation

International Young Artist’s Presentation
Laus Polyphoniae 2019
Cultural Centre ‘De Kern’, Wilrijk
Antwerp, 18 August 2019

The International Young Artist’s Presentation (IYAP) is an annual coaching and presentation scheme given in Antwerp for young ensembles playing historical instruments. Ensembles are invited to present innovative and original programmes and to experiment with aspects of presentation and performance. The groups selected for the annual scheme are given three days of coaching sessions (led by Peter Van Heyghen and Raquel Andueza) which are followed by two days of public concerts over the first weekend of the Laus Polyphoniae festival. Each group repeats their concert twice on each day to an audience who move from venue to venue. On the first day, various concert organisers from around Europe attend and give feedback to the ensembles. Following these concerts, further advice is offered to the ensembles about their future careers. they are given the title of “IYAP Selected Promising Ensemble 2019”. The scheme is an initiative of Musica: Impulse Centre for Music and the AMUZ Antwerp. The weekend public concerts take place in a variety of settings, this year focused on the district of Wilrijk and the Cultural Centre De Kern.

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Antwerp: Laus Polyphoniae 2018

Laus Polyphoniae 2018
1618 / BEFORE
Antwerp, Belgium. 16-20 August.

This year’s Laus Polyphoniae festival (part of the Festival van Vlaanderen / Flanders Festival) celebrated two anniversaries. It is 25 years since the festival first started, and 400 years since the opening of the former St. Augustine’s Church (in 1618), now the home of AMUZ (Augustinus Muziekcentrum), the hosts of Laus Polyphoniae. The festival lasted from 16 – 26 August, and I was invited for the first four days, from the opening concert on Thursday 16 August to the lunchtime concert on Monday 20 August. Taking the date of 1618 as the hinge, the Laus Polyponiae festival ‘1618 / Before’, was the prelude to a further series of concerts under the title ‘1618 / Beyond’, the English names being original, not translations.

Focussing on music from the Middle Ages and Renaissance, the programme covered repertoire from the year 800 up to the early 17th century, when the early Baroque style began to emerge from the tradition of Renaissance polyphony. It featured musicians from Flanders and beyond, with a wide-ranging programme of concerts and events, the International Young Artist’s Presentation, and various associated events included a study day exploring the recently discovered Leuven Chansonnier and other educational activities. Unless otherwise noted, all the concerts took place in AMUZ.

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