London Handel Festival
Handel Singing Competition: Semi-Final
St George’s, Hanover Square, 6 March 2020
UPDATE: It is intended that the final of the competition will be held at some future date.
I would normally wait until the final of the annual Handel Singing Competition before mentioning some of those who I heard in the semi-final but, with the Coronavirus cancellation of the entire London Handel Festival, this turns out to be the only review of the festival that I will be writing. The final would have been this evening, 24 March, so it seems an appropriate time to post this review of the semi-final. The reason I try to attend semi-finals of competitions like this is that I frequently hear people who, in my view, should have got through to the final but, for reasons best known to the judges, don’t make it. The London Handel Festival’s annual Handel Singing Competition is no exception to this situation.
Ryedale Festival Opera, Orchestra of the Age of Enlightenment ‘Experience Scheme’
Oriental Club London, 29 July 2016
After two performances during the Ryedale Festival (16 and 18 July), Ryedale Festival Opera brought their production of Handel’s Alcina to the courtyard of the Oriental Club in London. In collaboration with eight young instrumentalists from the Orchestra of the Age of Enlightenment’s ‘Experience Scheme’, conducted from the harpsichord by Ian Tindale, this was a staged and impressively costumed production, but with minimal props and no sets or scenery, and given an impressively light directorial touch from Nina Brazier.
Like Handel’s operas Orlando and Ariodante, the story is based on a tale from Ariosto’s Orlando furioso, the epic early 16th century poem of knightly chivalry and fantasy set amidst the wars between Christians and Saracens in the time of Charlemagne. Continue reading