Academy Choir: St John Passion

Bach: St John Passion
Academy Choir & Baroque Players, Matthew Best
St John’s, Wimbledon, 12 March 2022

Choral societies have a long and noble tradition in the UK. They provide much-needed employment opportunities for the young professional musicians brought in as soloists as well as giving the opportunity to perform for the vast body of amateur singers whose membership fees keep the shows on the road. The Academy Choir is one such. It was founded in Wimbledon in 1980 and since 2000 has been based at the church of St John the Baptist, Spencer Hill, Wimbledon. It is an auditioned choir, rather than taking all-comers, and the musical standards are obviously high. Since 2017 their musical director has been Matthew Best. My invitation to review their performance of the St John Passion promised that “our concerts tend to be ‘a cut above’ what might typically be expected to be found in a suburban church, given by a local choir”, a claim that proved itself correct.

Continue reading

MacMillan: Seven Angels

MacMillan: Seven Angels
Ex Cathedra, Jeffrey Skidmore, Martha McLorinan
St Giles Cripplegate, 15 October 2016

The first of a two Sunday Barbican concerts focussing on the choral music of Sir James MacMillan took place on Saturday afternoon in the medieval church of St Giles Cripplegate, on the opposite side of the Barbican lakes from the main concert hall and theatre. It featured the London premiere of MacMillan’s Seven Angels, commissioned by the Birmingham based Ex Cathedra and its director Jeffrey Skidmore, and first performed in Birmingham last year. The piece stemmed from an informal discussion between MacMillan and Skidmore, both Elgar fans, on the uncompleted ‘Last Judgement’ conclusion of Elgar’s intended trilogy, which started with The Apostles and The Kingdom.

Although bearing no relation to Elgar’s surviving sketches, MacMillan took similar inspiration from the Book of Revelation, one Continue reading