Bach: French Suites
Julian Perkins, clavichord
Resonus RES10163. 58’11+67’26
Bach: French Suites BWV 812-817; Froberger: Partita 2 in d; Telemann: Suite in A.
The programme notes explain the rational for recording these pieces on clavichord rather than harpsichord, with a convincing argument based on the four-octave compass of the pieces and the didactic nature of their composition, in this case, for his recent (and second) wife Anna Magdalena. This is private, domestic music for home performance or teaching purposes, rather than the more elaborate pieces Bach wrote for public performance, using the larger compass of the harpsichord, for example the three non-organ parts of the Clavierübung. It is also the case that the clavichord was the principal home practice instrument for organists, because the arm to finger weight transfer required is similar for both instruments.
Julian Perkins’ playing is sensitive and musical. He makes excellent use of ornaments, both realised from the score and also added improvisational ornaments, Continue reading