Conductus 3: Music & Poetry from 13th century France
John Potter, Christopher O’Gorman, Rogers Covey-Crump
Hyperion CDA68115. 61’35
The link between early music performance and academic musicological study has always been close, but seems to be becoming even more so with a number of recent projects stemming directly from research backed by the Arts & Humanities Research Council (AHRC). One such is the project ‘Cantum pulcriorem invenire: Thirteenth-Century Music and Poetry’, based at Southampton University, headed by Mark Everist (details here). The Cantum pulcriorem invenire (“To find a more beautiful melody”) title is, not surprisingly reduced to the more manageable CPI. As well as three recordings and related live concerts, there is an on-line database, and Mark Everist has also published a monograph ‘Discovering Song: Thirteenth-Century Latin Poetry and Music’ through Cambridge University Press.
This is the third CD to have come from this project, which explores the world of the conductus in 13th century France – arguably the “first consistent repertory of newly-composed polyphony in the history of music”. In contrast Continue reading