Imaginario: De un Libro de Música de Vihuela

Imaginario: De un Libro de Música de Vihuela
Armonía Concertada
María Cristina Kiehr, Ariel Abramovich

with Jacob Heringman & John Potter
Outhere/Arcana A460. 61’37

album cover

This recording is based on an imaginarly Vihuela songbook as might have been published in Valladolid or Seville sometime around 1575. That premise is based on and inspired by seven surviving earlier vihuela songbooks, dating from between 1536 and 1576. Versions of pieces from those earlier songbooks have been arranged by lutenists Ariel Abramovich and Jacob Heringman in Spanish style. The result is an attractive and musically sensible reinterpretation of some delightful music, brilliantly performed by María Cristina Kiehr and Ariel Abramovich, with occasional contributions from Jacob Heringman and a single offering from John Potter. Continue reading

London Festival of Baroque Music – Day 2

‘Women in Baroque Music’
St John’s, Smith Square, 16  May 2015

‘Canto dell dame’
Concerto Soave
María Cristina Kiehr soprano, Jean- Marc Aymes, harpsichord, organ & director.

On the cover of the festival programme book are the words “Joy / Passion / Religion / Love / Death / Adoration / Intensity. The Saturday afternoon concert of 17th century Italian music given by Concerto Soave included all of those aspects, sometimes in the same piece. Featuring Concerto Soavefive female composers, the music ranged from the very beginning of the Baroque up to the end of the 17th century. The earliest composer was Francesca Caccini (1587-1641), daughter of Giulio Caccini (represented here by Peter Philips’ harpsichord transcription of his Amarillo, mia Bella). Francesca Caccini made her debut aged 13 at the Medici Court, singing at the wedding of Henri IV of France to a Medici bride. After time in France she returned to become the leading female singer in Florence. Apart from one opera (the earliest known one by a woman) her only surviving music was published in 1618. The three pieces demonstrated the early recitativo style of Continue reading