Lully: Alceste

Jean-Baptiste Lully: Alceste
Les Talens Lyriques, Namur Chamber Choir, Christophe Rousset
Launch concert: Opéra Royal, Versailles, 10 December 2017
CD: Aparté AP164, 2CDs. 80’+70.59′

Lully: Alceste

Alceste ou Le Triomphe d’Alcide is an early example of Lully’s tragédie en musique in its fledgeling form of a Prologue followed by five Acts. It uses a libretto by Philippe Quinault, based on Euripides’ Alcestis. The first performance was given in January 1674 by the recently formed Académie Royale de Musique (later known as the Opéra de Paris) at the Théâtre du Palais-Royal, adjoining the then residence of the King, the Louvre Palace. The occasion was the Louis XIV’s victory against the Spanish held Franche-Comté during the complexities of the Franco-Dutch War. Lully had only recently taken control of the opera scene in Paris and Versailles, and this was the second of the many operas created during this monopoly. Even though Versailles was not, at the time, the seat of Louis XIV (and indeed, most of it was not yet built), the sumptuous Opéra Royal (built around 100 years later, in 1770) was an appropriate venue for Les Talens Lyriques to launch this CD, with a concert performance.

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Les Talens Lyriques: Zefiro Torna

Zefiro Torna
Les Talens Lyriques
St John’s, Smith Square. 7 June 2017

This concert celebrated the 450th anniversary of Monteverdi’s birth, as well as the 25th anniversary of Les Talens Lyriques. Tenors Emiliano Gonzalez Toro and Anders J. Dahlin joined with director and keyboard player Christophe Rousset, cellist Emmanuel Jacques, and violinists Gilone Gaubert-Jacques and Josépha Jégard to explore Monteverdi’s more intimate, but nonetheless dramatic music. Each half concluded with opera extracts, but started with extracts from four of Monteverdi’s madrigal books. Throughout these madrigals, we had to work around the curious implications of two men both singing about the same love interest. Continue reading