Dunedin Consort: How Lonely Sits the City

How Lonely Sits the City
Dunedin Consort, Nicholas Mulroy
Filmed at Greyfriars Kirk
19 November 2020

Scheduled Live thumbnail

One of the finest of the many online concerts available during the Covid calamity comes from the Edinburgh based Dunedin Consort. Under the direction of their new Associate Director, the distinguished tenor Nicholas Mulroy, their programme was built around the rarely heard Orlande de Lassus Lamentatione Hieremiae Prophetae (Quinque vocum), the three sections of the Primi Diei acting as a binder amongst music from the 16th, 20th and 21st centuries. Unlike many such performances, the concert is, commendably, free to watch although donations are clearly not only encouraged but in the current climate, absolutely essential for the future of music making. Full details about the performance and programme notes can be found here and donation can be made here.

Orlande de Lassus: Lamentatione Hieremiae Prophetae (Quinque vocum)
Cecilia McDowall: I know that my redeemer liveth
Lassus: Lamentatione Hieremiae Prophetae
Ninfea Cruttwell-Reade: Vigil I
Rudolf Mauersberger: Wie liegt die Stadt so wüst
Lassus: Lamentatione Hieremiae Prophetae
William Byrd: Ne irascaris Domine – Civitas sancti tui
James MacMillan: Miserere

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Rosa Mystica. Musical Portraits of the Blessed Virgin Mary

Rosa Mystica: Musical Portraits of the Blessed Virgin Mary
Royal Birmingham Conservatoire Chamber Choir
Paul Spicer conductor, Callum Alger organ,
Somm, SOMMCD 0617. 62’45

This recording from the Royal Birmingham Conservatoire Chamber Choir presents a wide variety of musical portraits of the Blessed Virgin Mary, covering composers from the early 16th-century to the present day. It takes its title from Benjamin Britten’s setting of a Jesuit text by Gerard Manley Hopkins. Continue reading