Caccini: Le Nuove Musicale
Ricercare Antico, Riccardo Pisani
Brilliant Classics, 95794. 66’41
Giulio Caccini (1551-1618) was a Florentine singer, instrumentalist and writer. He was one of the first to establish the stile recitativo that formed the basis of Baroque-era opera. His Le Nuove Musicale (or Musiche) of 1602 explored the use of solo voice and continuo bass in what was to be referred to the following year (in Artusi’s 1603 Seconda Parte dell’Artusi), as the Seconda pratica. Caccini’s introduction to Le Nuove Musicale outlines the move from the Renaissance ideas of polyphony and counterpoint to the monodic style of the Baroque, with examples of the manner of adding ornaments to reflect the emotional expression of the text, in the affetto cantando style. Continue reading
Nova Europa: Melodies d’un Monde en Mutation
Ambronay Edition AMY307. 63’06
What a fascinating recording!
Seconda Pratica is an 11-strong young music ensemble specializing in 17th and 18th century repertoire, aimed at a 21st century audience. They aim “to engage with historic repertoire in a revitalizing way without ever losing sight of our inevitable modernity”. Since 2013, Seconda Pratica has been part of the Eemerging project (Emerging European Ensembles, part of the Creative Europe programme), which supports young early music ensembles. This recording is a part of their third year of support from Eemerging and the Ambronay European Baroque Academy.
In this recording, Seconda Pratica explore the musical and cultural heritage colonisation of South America by the 17th century Portuguese and Spanish. Continue reading