Rune. Lost in Contemplation: Saints and Miracles

Rune
Lost in Contemplation: Saints and Miracles
St. Bartholomew the Great, Smithfield. 26 May 2026

Rune, the five-strong group specialising in music “from 700 years ago and beyond”, completed a UK tour at their home base of St. Bartholomew the Great in London’s Smithfield, one of the finest medieval buildings in London, where they are Medieval Ensemble in Residence. Their concert was based on four stories of miracles, each illustrated by sequences of music, sacred and secular, ranging from 12th century Occitan Troubadour songs to the 15th century polyphony of Machaut, with birdsong-related and Marian music in between. The four stories were narrated by the members of the group, to the varying degrees of comprehension allowed by the microphone and loudspeaker situation.

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Machaut: The Gentle Physician

Guillaume de Machaut
The Gentle Physician
The Orlando Consort
Hyperion CDA68206. 59’34

This is the sixth recording in The Orlando Consort’s complete Machaut series. It focusses on Machaut’s songs of courtly love and its various ups and, more usually, downs. Lady Fortune is not always a comforting friend, and the opening and closing De Fortune ballads reflect both the positive and negative aspects of her personality. The ‘gentle physician’ (dous mireof the title is Hope, mentioned as the only remedy for unhappy lovers in the extended S’onques dolereusement, also known as Le lay de confort. Machaut (c1300-77) was, and still is, one of the finest 14th-century poet-composers, He was one of the first to whom we have biographical knowledge and a substantive collection of pieces, but also one of the last of the tradition of poet-composers. Part of the ars nova tradition of the Franco-Burgundian region, his compositions set the scene for the late Gothic and early Renaissance style. Continue reading

Machaut: A Burning Heart

Machaut: A Burning Heart
The Orlando Consort
Hyperion CDA68103. 58’58

This is the third of The Orlando Consort’s recordings of Machaut’s secular songs, following on from their ‘Songs of Le Voir Dit’ and ‘The Dart of Love’ CDs. Music like this can be appreciated at many different levels, and perhaps one of the most satisfactory (unless your mediaeval French is up to scratch) is to ignore the programme notes or translations of the text, turn the lighting down and just let the music wash over and through you. Although it might appear disrespectful to the enormous amount of research that has to go into producing a recording like, it really does work as a musical experience.

The Orlando Consort present the tracks on this disc in a way that draws the listener gently into the sound world of the early 14th century. The opening Continue reading