Le cor mélodique

Le cor mélodique
Mélodies, Vocalises & Chants by Gounod, Meifred & Gallay
Anneke Scott & Steven Devine
Resonus Classics RES10228. 75’57

The horn must have a claim to have one of the longest and most complex histories of all musical instruments, with the exception of the flute and the human voice. From the Scandinavian Lur (dating back some 12,000 years, and surviving today in the form of the crest on packs of butter), ancient animal horns (surviving today as the Jewish Shofar), via the Byzantine Oliphant, the Roman Cornu, and hunting and military horns came the gradual absorption into art music during the 17th century. Initially, these were valveless instruments only capable of playing very restricted notes but time and the addition of plumbing and valves gave the orchestral instrument a much greater range, but at some cost to the distinctive sound of the naturally produced notes of the harmonic scale, modified only by the mouth and hand of the player. In this recording, horn specialist Anneke Scott explores one of the developmental stages of the horn: the mid-19th-century transition from the natural to the piston horn, using three horns and three playing techniques, each related to the specific ideas of the composers. Continue reading