Cantata per Flauto
Tabea Debus & Ensemble
TYXart TXA15060. 73’01
Hasse: Cantata per Flauto; Tsoupaki: Charavgi für Blockflöte; van Eyck: Variations on ‘Come again, sweet love doth now invite’; Sarro: Concerto in d-moll; Jarzebski: Diligam Te Domine, Venite Exultemus; Töpp: a due; Telemann: Concerto in C; Purcell: An Evening Hymn.
Following her first CD, Upon a Ground (reviewed here), recorder player Tabea Debus here works with a larger group of instruments and with a wider range of music, including two pieces by present-day composers. The first track (the opening of Hasse’s Cantata per Flauto – a recent discovery, found in the collection of the Viceroy of Naples) sets the mood perfectly, and makes it absolutely clear why you will love this CD. Tabea Debus’s spirited, virtuosic and musically compelling playing is immediately obvious, as is her evident sense of humour, demonstrated in this case by an extraordinary sense of articulation and phrasing and a lovely little cadenza. In the second movement Adagio, the recorder weaves a complex musical line, elaborated by ornaments (many presumably improvised) in the manner of an operatic aria. This reflects the CD’s title and principal focus: of the recorder as a ‘singing’ or ‘vocal’ instrument, closely linked to the human voice, and the Continue reading