Venetian Cello Sonatas

Venetian Cello Sonatas: Under the shade of Vivaldi
Gaetano Nasillo
Outhere/Arcana A465. 77’24

The subtitle of this recording “Under the shade of Vivaldi” explains its remit of exploring the lesser-known composers for the cello in Venice at a time when the music of Vivaldi held sway. The pieces chosen demonstrate two moments of musical transition. The first is the use of the cello as a solo instrument, rather than as a ‘mere’ bass continuo instrument, a development that started in the mid to late 17th-century. The second example of transition is in the structure of the Sonata from the traditional four movements to the more modern three. Perhaps tellingly, the two Sonatas in the later three-movement form (by Vandini and Stratico) are the most technically advanced of the eight Sonatas. Continue reading