Zelenka: the Bohemian Bach
Spiritato & Barts Chamber Choir
St John’s, Smith Square. 20 October 2015
Zelenka: Il Serpente di Bronzo, Il Diamante, Missa dei Filii, Trio Sonata 3 in Bb, Trumpet Fanfares; Bach?: Cantata Nun ist da Heil und die Kraft.
Zelenka (1679-1745) is one of those composers that people might just have heard of, but few will be familiar with music of his music. For those in rather select audience at St John’s, Smith Sq, this was a chance to remedy the latter situation in a programme more-or-less devoted to Zelenka’s music. Born close to Prague he moved to Dresden around 1710 as a violone player in the Hofkapelle. After a period travelling in Italy and studying in Vienna, he returned to Dresden where he became more involved in composing for the Court Church(left), which had taken on a new significance after the closure of the city opera house in 1720. His career path didn’t go quite to plan. Having been temporary Kapellmeister for a short period of time, he was pipped to the post of Senior Kapellmeister by JA Hasse in 1733. He was then appointed as a church composer. A few years later JS Bach, who knew and admired Zelnka’s compositions, was appointed as an (honorary) Royal Court Composer as a result of his well-known petition accompanying his 1733 ‘Dresden Mass’ – the Kyrie and Gloria of what later part of the Mass in B minor (See PS below). On his death, his compositions were purchased by the Saxon Court as valuable objects rather than performing scores, and remained hidden away in their archives until the 1950s.
The key piece of the evening was the concluding Missa dei Filii, one of the so-called “Missae ultimae” composed during the last years of his life. A substantial Continue reading →