Bach: Well-tempered Consort- II

J S Bach: Well-tempered Consort – II
Linn CKD657. 70’05


Phantasm’s first ‘Well-tempered Consort’ recording, reviewed here, was a rather anarchic collection of Bach keyboard pieces arranged for viol consort. This, their second recording on the same theme, is far more coherent, combining Preludes and Fugues from the Well-Tempered Clavier. Of the 24 tracks, seven are from Book I, the rest from Book II. It is not surprising that there are far more fugues than preludes on the recording, with just six prelude and fugue pairs. The tracks are not in key order, but make perfect sense in terms of key relationships and mood. Four tracks are transposed down a semitone: the C# pair, and the F# and D# minor fugues.

Any reservations I might have had over their first recording are resolved here. The balance between the instruments is perfect, as it should be, particularly for the fugues. They avoid the temptation to accent fugal entries and, although there are far more subtle nuances of tone on an individual note available on a viol than on a keyboard instrument, such expressive devices are only used with sensitivity.

The programme notes are rather too romantic and flowery for my taste, as can often be the case when written by an academic. “Even the slightest musical turn of phrase might trigger intense disquisitions on the human condiction” is one such example.

It was recorded in Magdalen College Chapel, Oxford over a four day period. The recording rate of some six tracks a day is reflected in the quality of the performance. Despite the size of the space, the acoustic remains suitably domestic in scale.

Bach: Das Wohltemperierte Klavier II

Bach: Das Wohltemperierte Klavier Volume 2
Steven Devine, harpsichord
Resonus Classics RES10261. 2 CDs. 73’03+75’42

Following his Volume 1 of Das Wohltemperierte Klavier (The Well-Tempered Clavier reviewed here), Steven Devine returns with a very welcome recording of Bach’s second book of Preludes & Fugues, published around 20 years after the first book. Unlike the Book 1 Preludes and Fugues (BWV 846-869) which survive in Bach’s autograph, Book 2 (BWV 870-893) has two principal sources with contribtions by Bach’s family, but only one withs any evidence of Bach’s hand.

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Bach: Well-Tempered Clavier Book II

J S Bach: Well-Tempered Clavier Book II
Céline Frisch, harpsichord
Outhere/Alpha Classics: Alpha 451. 2 CDs. 69’45+76’06

Bach: The Well-Tempered Clavier Book II
Following on from her CD of Book I of the Well-Tempered Clavier, Céline Frisch (o-founder of the Café Zimmermann ensemble) now offers us Book II. It was completed twenty-two years after Book I, in 1744. It was recorded on a 1998 two manal copy by Andrea Restelli of the single manual 1738 Christian Vater harpsichord now in the Germanisches National Museum, Nuremberg. Continue reading

Bach: The Well-tempered Clavier, Book One

JS Bach: The Well-tempered Clavier, Book One
Colin Booth, harpsichord
Soundboard SBCD218. 2CDs, 59’31+62’12

This is the first of two double-CD volumes of Bach’s Das Wohltemperierte Klavier (The Well-Tempered Clavier) from Colin Booth. It covers the 24 Preludes and Fugues (BWV846-869) written in all 24 major and minor keys forming what is now known as Book 1 of ‘The 48’. It only survives in manuscript copies from 1722, with no printed edition unto around 1800. The manuscript title page announces that it was composed “for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study”. Continue reading