From the GROUND up
David Hill, Peterborough Cathedral organ
Regent REGCD539. 67’48
There is more to this recording than a ‘mere’ display of 20th-century British organ music, most based on a ground bass, usually in its particular incarnation as a Passacaglia, played on a grand English cathedral organ by one of England’s most distinguished organists. But that alone is enough to recommend the recording. It encompasses a wide range of music styles, generally influenced by German organ composers, dating from 1910 to the present day, together with a lovely little contrasting contribution from Orlando Gibbons, from the early 17th-century. Two major gems of the repertoire and a substantial new piece are balanced by a sequence of short pieces.
Musiques pour les funérailles royales Espagnoles
La Maîtrise de Toulouse, Les Sacqueboutiers, Mark Opstad
Regent REGCD551. 61’34
In a search for a collaborative musical partnership, the Toulouse-based children’s choir La Maîtrise de Toulouse and early brass ensemble Les Sacqueboutiers settled on Victoria’s Requiem as a way of combining the Spanish Renaissance traditions of the niños cantorcicos children’s choirs and the ministries, or Cathedral wind players. It is the focus of this recording of music for a Royal Spanish funeral. combined with other related pieces, some recorded for the first time. Continue reading
Make we Merry: Christmas Music for Upper Voices
Benenden School Chapel Choir
London Metropolitan Brass, Edward Whiting, David Bednall
Regent REGCD547. 65’18
I would normally avoid the more obvious Christmas CD offerings, but this delightful recording deserves to be an exception. The choir of Benenden Girls’ School are joined by the young London Metropolitan Brass (who unfortunately have the same name as an amateur brass band), percussionist Kizzy Brooks and organist/composer David Bednall for the premiere recording of Bednall’s Make We Merry, a half-hour sequence of eight carols setting for upper voices, brass, percussion and organ. It was commissioned for Benenden Chapel Choir in 2018, and followed earlier collaborations with David Bednall. Continue reading
Prières pour Notre Dame
Music for organ and upper voices
Colin Walsh – Cavaillé-Coll organ of St Ouen, Rouen
Romsey Abbey Choir, George Richford
Regent REGCD538. 67’27
Dupré: Versets pour les Vêpres
Lili Boulanger: Pie Jesu
Demessieux: Rorate coeli, Attende Domine
Poulenc: Litanies à la Vierge noire
This evocative recording features music by four French composers performed on the magnificent 1890 Cavaillé-Coll organ of St Ouen, Rouen, a former Benedictine foundation – as is Romsey Abbey in Hampshire, from where the Senior girls of the Romsey Abbey Choir (aged between 16 and 19) provide an ideal contrast to the power of the organ.
Martin Peerson: A Treatie of Humane Love
Mottects or Grave Chamber Music (1630)
I Fagiolini, Fretwork
Regent REGCD497. 72’53
Martin Peerson is one of those composers that can so easily slip under the radar. Little is known of his early life, and records of his adult life are confused by the various ways of spelling his name. It is likely that he was born in March (not the month, but a small market town in Cambridgeshire) around 1572, and became a choirboy at St Paul’s Cathedral. In 1604 a madrigal of his was performed at an ‘entertainment’ in Highgate arranged by Ben Jonson for James I and his Queen Anne of Denmark. This appears to have been his only involvement with the musical life of royalty during his career. He had Catholic sympathies, although managed to pass as sufficiently Protestant to be award a Bachelor of Music from Oxford in 1613. He then held posts at Canterbury and St Paul’s Cathedral and, possibly, Westminster Abbey (a “Martin Pearson” is recorded there in the 1620s). Continue reading
J S Bach organ works – supplementary volume (IX )
Margaret Phillips, 1997 Draps/2008 Flentrop organ, Sint Niklaas, Belgium.
Regent REGCD454. 74’28
Eight Short Preludes & Fugues BWV 553–560; Fantasia duobus subjectis in g BWV 917; An Wasserflussen Babylon BWV 653b; Fantasia in C minor BWV 1121; Trio in G minor BWV 584; Prelude, Trio & Fugue in B flat BWV 545b; Ricercar a 3, Ricercar a 6 (Musical Offering) BWV 1079; Fantasia sopra Wo Gott der Herr nicht bei uns hält BWV 1128.
As a supplement to Margaret Phillips’ 16 CDs of Bach organ works (published as eight double CDs plus this volume), this CD includes alternative versions, pieces usually allocated to but probably not by Bach, pieces not intended for organ, and one piece had not been rediscovered when the other Bach pieces were recorded, between 2005 and 2009. You could fill a further 16 CD with such peripheral and alternative pieces, so the selection of these 16 must have been quite a task. The choice is an excellent one, balancing well-known pieces such with little-known works like the Fantasia duobus subjectis. Continue reading