York Early Music International Young Artists Competition
National Centre for Early Music
St. Margaret’s Church, Walmgate, York. 16 July 2022
After a Covid-induced hiatus in 2021, the biennial York Early Music International Young Artists Competition returned to the impressively restored medieval church of St. Margaret’s, Walmgate, York, now the National Centre for Early Music. The detailed rules and other information can be seen here, but briefly, competitors must perform in an ensemble with at least 3 members with an average age of up to 33 years and an individual age of 37 or less. These ages are one year higher than usual and only apply to the 2022 competition because of the cancelled 2021 competition. The repertory must be from the middle ages to the 19th century, and performers must use historically informed techniques, instruments and stylistic conventions.
ROSL (Royal Over-Seas League) Annual Music Competition
Mixed Ensembles Section Final
Princess Alexandra Hall, Over-Seas House, London. 19 March 2019
The Royal Over-Seas League (ROSL) has, since 1952, run an annual music competition through their ROSL ARTS, open to young Commonwealth classical musicians under the age of 30. A series of section finals for solo performers leads to a Gold Medal Final which, this year, will be held in the Queen Elizabeth Hall on 30 May. Past winners of the section finals and the Gold Medal have gone on to become well-known names. Alongside the section finals for solo performers (in wind & brass, voice, strings, and keyboard), are two ensemble finals, for strings and mixed ensembles. More than £75,000 is offered in awards, with a £15,000 first prize for solo performers and two chamber ensemble awards of £10,000. Winners of the solo sections receive £5,000 each. Details of the 2019 competition can be found here. Continue reading
London International Exhibition of Early Music
Early Music Young Ensemble Competition Finals
Blackheath, 8-10 November 2018
The London International Exhibition of Early Music is the latest incarnation of an annual event organised over many years by the Early Music Shop. It has had a number of names over the years, the most recent one being the Royal Greenwich International Early Music Festival, although it had been resident in Blackheath for a couple of years. My review of last year’s festival can be found here. Concerts have always been an important addition to the musical instrument exhibition, ranging from demonstration recitals on behalf of instrument makers, Performers Platforms, competition winner’s recitals and, this year, for the first time, the Early Music Young Ensemble Competition Finals, alongside more formal evening concerts by some leading names in the early music world. This year’s complete events diary can be seen here. The instrument exhibition itself takes place in the newly restored Blackheath Halls, with the concerts taking place in nearby churches. Continue reading
CONCERT: Antidotum Arachne
St John’s, Smith Square. 16 February 2017
CD: Palisander Beware the Spider!
The St John’s, Smith Square Young Artists scheme gives emerging soloists and ensembles a platform to showcase their talents through three SJSS concerts, a chance to commission new music, and opportunities to develop skills in marketing, education and outreach. The latest batch of six (for the year 2016/17) includes the recorder quartet Palisander. They already seem pretty adept at marketing, and took the opportunity of the first of their three concerts (given under the title Antidotum Arachne) to launch their debut CD, Beware the Spider!.
The concert and (rather short) CD explore the world of the Tarantella, a curious aspect of folk medicine in 16th and 17th century Italy where victims of venomous spider bites were not offered any medicinal cure or relief but were regaled by local musicians (often funded by the municipality) with a variety of musical pieces, some known as Tarantella, intended to cure them of their otherwise fatal symptoms. In a well-chosen and varied programme, Palisander’s CD and concert reflected aspects of the various symptoms along with arrangements of original Tarantellas by Miriam Nerval, who also provided the programme notes for the CD and concert. For a few of the pieces they were joined by Toby Carr, playing theorbo and baroque guitar. Continue reading