JS Bach, JC Bach & CPE Bach: Magnificats
Arcangelo, Jonathan Cohen
Hyperion CDA68157. 76’48
This recording has the same programme as the concert in St John’s, Smith Square in October 2015. The CD was recorded a few days after the concert, in the church of St Mary the Virgin and St Mary Magdalen in Tetbury, Gloucestershire, but has only recently been released. The acoustics of this large Gothic church (with its wide nave and tiny side aisles) are more generous than St John’s, Smith Square, giving an added bloom to the sound, although the spacing of the musical forces sometimes gives more of a sense of distance that the more compact London stage avoided. Unlike the concert performance, the CD opens with JS Bach’s 1733 reworking of his earlier E flat version, written for his first Christmas in Lübeck in 1723. It is given a forthright performance without the irritating gaps between movements that I mentioned in the concert review. Continue reading
“Georgian quartets among Palladian columns”
The London Abel Quartet
Marble Hill House, Twickenham, 4 March 2018
The London Abel Quartet was formed, as the name implies, to explore the music of Carl Friedrich Abel and his contemporaries. Abel was a German composer and viola da gamba player. He was born in Köthen, where his father worked in JS Bach’s court orchestra. He later became a student at Bach’s Leipzig Thomasschule. After a spell in Dresden, he settled in London around 1759. He was joined in 1762 by Johann Christian Bach, Bach’s youngest surviving son. The pair soon started the famed Bach-Abel concerts in Soho, the first subscription concerts in England. Abel and JC Bach are both buried in buried in the churchyard of St Pancras Old Church, just behind St Pancras station. Continue reading
Mozart: Piano Duets – Vol 1
Julian Perkins & Emma Abbate
Resonus RES10172. 68’04
Mozart: Sonata in D, K381; Sonata in C, K521; Sonata in B-flat, K358, JC Bach: Sonata in A.
This is the first of two volumes of Mozart’s complete piano duets, played on original fortepianos by Julian Perkins & Emma Abbate. It was recorded in Finchcocks House, Kent, and was the last recording made their before the house was closed and much of Richard and Katrina Burnett’s important collection of early keyboard instruments was sold. These two pianos, together with another 12 instruments from the collection, remain within the Finchcocks Charity for Musical Education which will continue to sponsor research and training a new generation of early keyboard restorers, tuners and technicians.
Although Mozart’s piano duets are a little-known part of his compositional output, they are a genre that he returned to throughout his life. They Continue reading