Noëls baroques à Versailles

Noëls baroques à Versailles
Gaétan Jarry, organ
Les Pages du Centre de Musique Baroque de Versailles
Grandes Orgues 1710, Chapelle Royale – Versailles
Chateau de Versailles CVS025. 70’40


The third in the L’âge d’or de l’orgue français series is a seasonal offering of French Noëls from Versailles. The tradition of Parisian organists playing variations on Noëls at Christmas lasted for well over 100 years from the late 17th to the end of the 18th century. Although musically their peak was in the early years of the 18th-century, with the examples of Louis-Claude Daquin and Dandrieu, their height of popularity seems to have come at the end of the century with Claude Balbastre, when French music had become somewhat debased as the Revolution approached. Such were the crowds that turned up to hear Balbastre play at the Midnight Mass, that riot police were called. The Archbishop of Paris eventually banned such services at Balbastre’s church of Saint Roch. Continue reading

Dandrieu: Magnificats

Dandrieu: Magnificats Vol 1
Jean-Baptiste Robin
Grandes Orgues 1710, Chapelle Royale – Versailles
Chateau de Versailles CVS023. 70’51

The second in the L’âge d’or de l’orgue français series featuring the 1710 organ in the  Versaille Chapelle Royale focuses on Jean-François Dandrieu (1681-1738). From 1721, he was one of the four organists of the Chapelle Royale. He had an early introduction to Court musical life when, aged five, he played the harpsichord to the Palatine Princess Elisabeth-Charlotte of Bavaria, wife of Philippe d’Orléan, Louis XIV’s brother. He succeeded the famed Nicholas Lèbegue as organist of Saint-Merry, Paris in 1704/5. From 1733 he added to these posts the position of organist to the now-demolished St Barthélémy, a role previously held by his uncle and which after his death, was passed on to his daughter. Continue reading

Spitalfields Music: The English Concert

Spitalfields Music: The English Concert
Christ Church Spitalfields. 9 December 2015

Dandrieu: Trio Sonata Op 1/2; Charpentier: Magnificat H73; Charpentier: In nativitatem Domini nostri Jesu Christi canticum; Stradella: Cantata per il Santissimo Natale ‘Ah! Troppo è ver’.

Following their paired-down concert at the Sam Wanamaker Playhouse a few days earlier (reviewed here), The English Concert transferred their magic to the magnificent East London church of Christ Church Spitalfields for one of the Spitalfields Winter Festival showpiece concerts. Contrasting the seasonal music of France and Italy, the music spanned the period from the mid-17th to the early 18th century.

The evening started with Jean-François Dandrieu, a composer well-known to organists for his lively Noël variations, but otherwise overlooked in favour of the likes of Rameau and Couperin. The delightful Trio Sonata in D from his 1706 Livres de Sonates en trio demonstrated Italian influence, not least in its use of counterpoint and the Corellian walking bass in the opening Largo, and its vivacious concluding Presto. A true trio, with Joseph Crouch’s cello (or, in this case, perhaps more correctly Continue reading