John Worgan: Complete harpsichord music
Julian Perkins, Timothy Roberts
Toccata TOCC0375. 76’34
John Worgan (1724–90) is one of several London-based 18th-century organist composers that have escaped the present-day acknowledgment of their more famous contemporaries. However, Worgan was well respected in his day, not least by Handel and Burney, who described him as ‘a very masterly and learned fugueist on the organ’. Nowadays he is merely an overlooked byline, with an occasional organ piece popping in anthologies. His surviving harpsichord music is even less well-known. All that survives is a set of six sonatas, thirteen teaching pieces, a ‘New Concerto’, and an independent Allegro non tanto, all included on this recording. Although very far from being fine music, they feature a fascinating variety of styles, some showing the influence of Domenico Scarlatti.
Joan Cabanilles: Keyboard Music Vol 1
Timothy Roberts (organ)
1724 organ of the Basilica of Sant Jaume, Vila-real (Castellón/Valencia)
Toccata Classics TOCC 0391. 64’48
Tocata 1 de primero tono, Passacalles 2 de primero tono, Tocata 4 de quinto tono, Tiento 12 de falsas, de cuarto tono, Tiento 31 partido de mano derecha, de primero tono, Tiento 82 lleno, por Bequadrado de quinto tono, Tiento 9 partido de mano derecha, de secondo tono, Tocata 2 de mano izquierda, de quinto tono, Tiento 63 de contras, de cuarto tono, Tiento 55 de primero tono, Tiento 14 partido de dos tiples, de cuarto tono.
Joan (more usually spelt as Juan) Cabanilles (1644–1712) is a curious composer. His compositions fully absorb the late Renaissance counterpoint of the earlier, and better known, Spanish organ composer Francisco Correa de Araujo (1584–1654) but apply to that foundation layers of often virtuosic Baroque figuration that can range in style from the simplistic to the frankly perverse. He was born in Valencia, and seems to have remained there throughout his life, engaged in little more than the usual activities of a priestly musician in a cathedral city. He was organist of the cathedral, but doesn’t seem to have ever become the cathedral’s musical director. Although he composed a vast amount of organ music, it was not published in his lifetime and none of his original manuscripts survive. His music only exists in copies, of varying degress of accuracy, most now housed in the Biblioteca de Catalunya in Barcelona. The Biblioteca began a problematical complete edition in 1927, which remains incomplete to this day. Continue reading