12 Days of Christmas

Rydale Festival: 12 Days of Christmas
Echo Vocal Ensemble, The Gesualdo Six and The Swan Consort
Sarah Latto, Owain Park, Anita Datta
Filmed in Castle Howard, North Yorkshire
Released daily from 25th December to 6th January

A bit of Christmas enterprise comes from three UK choral ensembles, Echo Vocal Ensemble, The Gesualdo Six and The Swan Consort, in association with the Rydale Festival and Tidze. Under the banner of Give the gift of a Choral Christmas, they present a series of 12 short concerts, filmed in Castle Howard in North Yorkshire. Links to the videos are emailed every day between 25th December and 6th January, with catch up available until the end of January 2021. There are options for simple digital delivery (for £12) or two types of gift boxes (£24/34) with additional goodies. They can be used as a gift to friends, or to yourself.

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The Orgelbüchlein Project

The Orgelbüchlein Project
A 21st-century completion of Bach’s Orgelbüchlein
Compiled and edited by William Whitehead
Volume 4: Christian Life and Conduct (Chorales 87–113)

152 pages  • ISMN 979-0-57701-498-2  • Softbound
Edition Peters EP73145

OB.jpg

The Orgelbüchlein Project is one of the most exciting and ambitious musical projects of recent years. Bach’s Orgelbüchlein was intended to be a set of 164 chorale preludes covering the whole liturgical year. It was started during Bach’s time in Weimar (1708-17) with a few additions after he arrived in Leipzig. In a tiny manuscript book, Bach wrote the titles of all 164 Lutheran chorales at the top of the pages, but only managed to complete settings of 46 of them. Most titles were allocated a single page, with some given more space. When he came to write out the chorale preludes, he occasionally ran out of space and packed in a few more bars at the bottom of the pages in the more compact (but old-fashioned) German tablature letter notation. The title page of the autograph copy (pictured below) notes Bach’s intention for the collection that “a beginning organist receives given instruction on performing a chorale in a multitude of ways while achieving mastery in the study of the pedal, since the chorales contained herein the pedal is treated entirely obbligato . . . that my fellow man may hone his skill.” The Orgelbüchlein Project is an international project, founded and curated by organist William Whitehead, to complete the Orgelbüchlein by commissioning composers to write settings for the 118 missing chorale preludes.

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Sally Beamish: The Judas Passion

Sally Beamish: The Judas Passion
Orchestra & Choir of the Age of Enlightenment, Nicholas McGegan
St John’s, Smith Square, 25 September 2017

One of many puzzles that leap from the pages of the Bible is the curious position of Judas Iscariot in the wider scheme of things. The synoptic gospels do not agree on his role or the story of his apparent ‘betrayal’ of Jesus: actually, a literal ‘handing-over’ or ‘delivery’ of Jesus if the word paradidomi is more correctly translated. Two of the gospels suggest that the ‘devil’ entered him, something that Jesus had already proved adept at dealing with by a bit of casting out. Why didn’t he do so on this occasion? And if, as seems likely, Jesus foresaw, and may have actively encouraged Judas’s paradidomi, then it was not an act of free will and should not be punishable, let alone seen as the ultimate betrayal for which the ‘loving and forgiving God’ has left the hapless Judas to be almost alone among the irrevocably damned, notwithstanding his clear remorse. And if preordained, why the personal condemnation of the man who fulfils the prophecy – “It would be better for that man if he had never been born”? It was one of many New Testament events that were, apparently, preordained in the Old Testament, the juggling of which has caused many problems of Christian interpretation.

IMG_20170925_164831117.jpgEdward Armitage: The Remorse of Judas, 1866. Tate Britain

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