Apparatus musico-organisticus Baroque organ works from Tyrolean sources Peter Waldner Musikmuseum 51 MMCD 13050. 65’29
In this recording, the prolific Innsbruck-based organist Peter Waldnerplays two historic organs in the western part of the Italian South Tirol close to, and just over, the border with Switzerland. The choice of organs, and to an extent the music, is focussed on that region, not least because the nearby Benedictine Abbey of Marienberg contains the Tyrol’s only known copy of Georg Muffat’s 1690/1721 Apparatus musico-organisticus which forms the bulk of the CD.
Stile Nuovo Weihnachtsmusik Von Christoph Sätzl& Marienvesper im Dom zu Brixen 1641 Odhecaton, La Venexiana, Prishna Musikmuseum 41, CD13040. 2CDs 59’12+57’57
I have been sent several CDs published by the Music Museum of the Tiroler Landesmuseen in Innsbruck. One of which is this set of two CDs, the first of which is of early Baroque Christmas motets from Tyrol and Italy (recorded in 2016) with a second CD (recorded, live, in 2000) of Marienvespers music from Brixen Cathedral as might have been heard around 1641. The two CDs do not seem to be related, although it is not clear if this is a re-release of earlier published recordings.
Bachs Mentoren (Bach’s Mentors) Peter Waldner Tastenfreuden 4. 75’16
This recording was self-pubished by Peter Waldner in 2012 as part of his Tastenfreuden series but has only just been sent to me for review. It includes music by the North German composers Buxtehude, Reincken and Bõhm, noted as Bach’s “mentors”, played on harpsichord, octave spinet and muselar. The word “mentor” might a little wide of the mark, as there is no evidence any of these three musicians actually taught the young Bach, although he was certainly strongly influenced by them in his early years.