Organ recital
Organ Recital: “Upon thes nots”
For those who came to this recital, despite the travel problems, the encore that I played was Thomas Tomkins: “Sad Paven for these distracted times”
It seemed appropriate
“Upon thes nots“
Two 450th anniversaries – Thomas Tomkins & Michael Praetorius
Andrew Benson-Wilson, organ
St George’s, Hanover Square, London W1S 1FX
1 March 2022, 1:10
This recital contrasts the contrasting music of two composers born 600 miles apart, 450 years ago. It also reflects the way in which the two composers treat melodic lines, whether in the form of a powerful Lutheran hymn or the seven-note plainchant-based phrase upon which Tomkins based his monumental Offertory, noting in the opening bar that the piece was based “upon thes nots“.
Thomas Tomkins 1572–1656
“For Mr Arc[hdeacon] ThornBurgh”
“Mr Thomas Tomkins offertorye” [upon thes nots] (1637)
Michael Praetorius 1571-1621
O lux beata Trinitas (Hymnodia Sionia, 1611)
Chorale Fantasia: Ein’ feste Burg ist unser Gott (Musæ Sioniæ VII, 1609)
Thomas Tomkins was organist of Worcester Cathedral until its closure during the Civil War as well as the Chapel Royal in London. Michael Praetorius was organist and Kapellmeister in the courts of the Duke of Wolfenbüttel and the Elector of Saxony in Dresden.
The concert is given on the Richards, Fowkes & Co organ in Handel’s church of St George’s Hanover Square as part of the Mayfair Organ Concerts series. Admission is free, with a retiring collection.
The programme notes can be found here.
BBC Proms: Organ Recital 1
BBC Proms: Organ Recital 1
Bach and Improvisations
Martin Baker
Royal Albert Hall, 1 August 2021
Yet again, the BBC Proms has programmed an organ recital at a time (11:45 on a Sunday morning) when most organists are at work. A modest audience was the obvious result. It was originally intended to have been given by Oliver Latry, organist at Notre Dame but Covid-related travel problems resulted in Martin Baker stepping in at short notice to replicate the planned programme of Bach and improvisations. The Royal Albert Hall opened in 1871, along with the mighty Father Willis organ, then powered by two steam engines and now magnificently restored by Manders. Subsequent alterations and rebuilds have now resulted in 9,999 pipes that would stretch for nine miles if laid end to end. Bizarrely, it has its own Twitter account!
New William Drake organ at Chelsea Old Church
Celebrity Opening Concert – William Drake organ
Nathan Laube
Chelsea Old Church, 19 January 2020
Opening recitals on new organs raise several issues. The performance must, of course, be excellent in itself, regardless of the occasion. But the organ also needs to be demonstrated in a manner that future organ recitals do not need to. I have given several recitals (including, for example, at St John’s, Smith Square) where I have used little more than half of the available stops, to produce a sound that the composer might just recognise. But for an opening recital, a thorough exploration of the sounds of the new instrument is expected. If the organ is built in a specific historic style, the expectation may be that the music of that period dominates. But many organs are built in an eclectic style, capable, in theory, of coping with music from several different historical periods. Continue reading
Andrew Benson-Wilson: Three Westminster Abbey organists
Music-at-Hill – Midtown concerts
Friday 13 September 2019, 1:10pm
St Giles-in-the-Fields
60 St Giles High Street. London, WC2H 8LG
Andrew Benson-Wilson
plays organ music by
Three Westminster Abbey Organists
1668 John Blow; 1679 Henry Purcell;
1695 Blow re-appointed; 1708-1727 William Croft
During the period from 1668 and 1708, Westminster Abbey appointed three distinguished organists, the first of which, John Blow, was the teacher of his two successors, Henry Purcell and William Croft. In 1679 John Blow stepped down from his Abbey post in favour of his talented student, Purcell, only returning on Purcell’s death in 1695. William Croft replaced John Blow after his death in 1708, having previously been organist at St Anne’s Soho and Master of the Children of the Chapel Royal. He is most famed today for his Funeral Sentences, performed at Handel’s funeral in 1759 and at every British state funeral since then.
William Drake’s reconstruction of the Dallam/Smith/England/Lincoln/Gray & Davison organ in St Giles-in-the-Fields is one of London’s most important historic musical instruments. It contains some of the oldest pipework in London, going back to the time of Blow and Purcell in the mid to late 17th century.
Organ information can be found here.
Free admission, retiring collection.
The church is just behind Centre Point/Tottenham Court Road tube station.
Andrew Benson-Wilson plays Reincken
Mayfair Organ Concerts
Andrew Benson-Wilson plays Johann Adam Reincken (1643-1722)
St George’s, Hanover Square, London W1S 1FX
30 April 2019 @ 1:10pm
Toccata in G (Andreas Bach Book)
Toccata in A (Anon?)
Chorale Fantasia: An Wasserflüssen Babylon
Johann Adam Reincken was one of the most important and influential 17th-century North German organist-composers. He forms a unique link between the Sweelinck influenced organists of the earlier part of the century and JS Bach. Little is known about his life, and very few of his organ compositions survive. He was born to North German parents in Deventer in The Netherlands around 1643. An earlier supposed birthdate of 1623 is now accepted as incorrect. He moved to Hamburg in 1654, aged just 11, to study with the famed organist of the Katharinenkirche, Heinrich Scheidemann, a pupil of Sweelinck. After a brief return to Deventer, he came back to Hamburg in 1659 as Scheidemann’s assistant, replacing him as organist in 1663 on Scheidemann’s death. As was the custom of the time, he married one of Scheidemann’s daughters in 1665. He remained there for 60 years until his death in 1722. As well as his church duties, he co-founded the Hamburg Opera and was involved in the city’s musical life. He is known from two pictures dating from around 1674; the portrait painting and the now well-known ‘Musical Company’ painting by Johannes Voorhout.
The ‘St Teilo’ Tudor organ at Romsey Abbey
Romsey Abbey
Tuesday 10 October, 1:10
Music for a Tudor Organ
played on the ‘St Teilo’ Tudor organ, by
Andrew Benson-Wilson
Organ information here
Programme Notes
Continue reading
Organ music by Tunder (d1667)
Organ music by Franz Tunder (1614-1667)
St George Hanover Square (Mayfair Organ Concerts)
Tuesday 9 May 2017, 1:10
Andrew Benson-Wilson
Franz Tunder was one of the most influential organists and composers of the early to mid 17th century in North Germany. Along with a group of Hamburg organist composers, including Jacob Praetorius, Scheidemann, and Weckmann, he created the musical development that culminated in Dietrich Buxtehude, Tunder’s son-in-law, and successor at the Lübeck Marienkirche. He was key to the development of the extended Chorale Fantasia and the dramatic Stylus Phantasticus.
In 1646 Tunder founded the famous Abendmusiken series of concerts in the Marienkirche. These were funded by, and performed to, Lübeck businessmen, and were continued by Buxtehude and then well into the 18th century. In Tunder’s day, the Abendmusik concerts were usually organ recitals. In this programme, you will experience some of the organ music that could have been heard during these concerts, which were very much in the tradition of today’s London lunchtime concerts.
The 2012 Richards, Fowkes & Co organ in St George’s, Hanover Square (Handel’s church) is eminently suitable for music of this period.
Praeludium in g
In dich hab ich gehoffet, Herr
Jesus Christus wahr’ Gottes Sohn
Auf meinem Lieben Gott (manualiter)
Praeludium in g
Komm, Heiliger Geist, Herre Gott
Admission is free, with a retiring collection.
Some 2017 recitals
Froberger & Blow: St Giles-in-the-Fields
Friday 24 March 2017, 1pm
St Giles-in-the-Fields
60 St Giles High Street. London, WC2H 8LG
Andrew Benson-Wilson plays organ music by Froberger & Blow
This recital traces the influence of Johann Jakob Froberger (1616-67) on the English organist and composer, John Blow (1649-1708).
Froberger was an enormous influence on keyboard composers from the 17th to early 19th century, not least for his role in spreading the Italian style of his teacher Frescobaldi around Europe, and assimilating various European musical styles into his own compositions. Although only two of his works were published in his lifetime, Froberger’s compositions were widely circulated in manuscript copies. They were known to have been studied by the likes of Pachelbel, Buxtehude, Muffat, Kerll, Weckmann, Louis Couperin, Kirnberger, Böhm, Handel, Bach, and even Mozart and Beethoven. He was a close friend of Matthias Weckmann, who helped to spread the Italian style to the important North German organ composers in Hamburg.
John Blow (1649-1708) was the teacher of Purcell, and his predecessor (and successor) as organist of Westminster Abbey. He was just 18 when Froberger died and was about 4 when Froberger made his disastrous visit to London. The influence of Froberger came through manuscripts that Blow copied, adding his own distinctive English Baroque ornaments in the process.
St George Hanover Square: Renaissance organ music.
Mayfair Organ Concerts
St George Hanover Square
20 October 2015, 1:10
Renaissance organ music
Andrew Benson-Wilson
Adam Ileborg (Tabulature, 1448)
Praeambulum super d a f et g
Mensura trium notarum super tenorem ‘Frowe al myn hoffen an dyr lyed’
Conrad Paumann (c1410-1473)
Fundamentam organisandi, 1452 Continue reading
Andrew Benson-Wilson : Early Music Reviews + 