Steinitz Bach Players 50th

London Bach Society’s Bachfest 2018
Steinitz Bach Players, Rodolfo Richter
St John’s, Smith Square, 6 November 2918

For the fourth and final day of their 2018 Bachfest, the London Bach Society (LBS) celebrated the 50th anniversary of their own orchestra, the Steinitz Bach Players, with this St John’s, Smith Square concert. The orchestra was founded, along with the London Bach Society, by Paul Steinitz (1909-88), one of the pioneers of the British Bach revival. Made up of leading freelance period instrumentalists, the orchestra performs under different directors during the annual Bachfest. On this occasion, they performed without a conductor, but with direction from the violin by Rodolfo Richter, a practice that I am sure Bach himself would have approved of.   Continue reading

Return of Ulysses

he KingMonteverdi ‘The Return of Ulysses’
Royal Opera House, Early Opera Company, Christian Curnyn
The Roundhouse. 10 January 2018

After the success of their 2015 production of Monteverdi’s Orfeo at the Roundhouse (reviewed here), the Royal Opera House returned with an English language version of Il ritorno d’Ulisse in patria, under the title of ‘The Return of Ulysses’. As its name suggests, the Roundhouse is a large circular building in Camden, North London, built in 1854 by a railway company as the Great Circular Engine House and used, albeit only for a few years, as a maintenance depot. It had a central turntable to switch engines into the surrounding maintenance bays. John Fulljames’s production for the Royal Opera House maintains the link with this central turntable with a doughnut-shaped staging with an outer raised ring for the singers with the orchestra in the central circle. Both rotated, the instrumentalists going very slowly clockwise (a bit slower than the hour hand of a watch) and the singers intermittently rotating anti-clockwise. on their circular stage.

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