ROSL Annual Music Competition

ROSL (Royal Over-Seas League) Annual Music Competition
Mixed Ensembles Section Final
Princess Alexandra Hall, Over-Seas House, London. 19 March 2019

The Royal Over-Seas League (ROSL) has, since 1952, run an annual music competition through their ROSL ARTS, open to young Commonwealth classical musicians under the age of 30. A series of section finals for solo performers leads to a Gold Medal Final which, this year, will be held in the Queen Elizabeth Hall on 30 May. Past winners of the section finals and the Gold Medal have gone on to become well-known names. Alongside the section finals for solo performers (in wind & brass, voice, strings, and keyboard), are two ensemble finals, for strings and mixed ensembles. More than £75,000 is offered in awards, with a £15,000 first prize for solo performers and two chamber ensemble awards of £10,000. Winners of the solo sections receive £5,000 each. Details of the 2019 competition can be found here. Continue reading

Festival d’Ambronay/Festival eemerging: 2018

Vibrations: Cosmos
Festival d’Ambronay/Festival eeemerging
Centre culterel de recontre d’Ambronay
28-30 September 2018

The 39th Festival d’Ambronay saw the conclusion of an annual triptych devoted to the theme of Vibrations, in this case with the subtext of ‘Cosmos’. Spread over four weekends, it was described as “An evocation in music of a cosmos alternately spiritual or material, intimate or grandiose, in-depth or elevation … An evocation of the stars, elements and spirituality, a look at the harmony of man and the universe“. As well as hosting the annual festival, the Centre culterel de recontre d’Ambronay is also the base for the eeemerging project (Emerging European Ensembles), a European Union-wide cooperation project dedicated to the selection, training and promotion of young early music ensembles. It brings together partners from the UK, Latvia, Romania, Slovenia, Italy and Germany in a four-year cooperation project. Alongside festival events, the third weekend of the four-weekend festival was devoted to the ensembles selected for the 2018 eeemerging round, with six young groups of musicians performing, alongside one of the previous eeemerging ensembles and one of the most established groups in recent history. The comparison between the young musicians and some of the more established performers in the festival was of particular interest, leaving me with the view that the latter, with few exceptions, have a lot to learn from the former.

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