JS Bach: Harpsichord Concertos Vol 1
Fabio Bonizzoni, La Risonanza
Challenge Classics CC72773. 63’07
Concerto No. 1 in D Minor, BWV 1052
Concerto No. 2 in E Major, BWV 1053
Concerto No. 4 in A Major, BWV 1055
Concerto No. 5 in F Minor, BWV 1056
This is the first volume in a series of recordings of Bach’s harpsichord concertos from La Risonanza and Fabio Bonizzoni. La Risonanza play one-to-a-part with just two violins, viola, cello and violone. The pieces date from the 1730s and Bach’s time in Leipzig. He directed the Collegium musicum which gave weekly performances at the Café Zimmermann. We know that in 1733 a new harpsichord arrived and it seems this was the impetus for these concertos. Several of them draw from earlier material, the opening D Minor Concerto having a history going back about 20 years before the autograph copy used for this recording.
Sonatas for Violoncello and Basso Continuo Op.1 (Vol 1)
Agnieszka Oszanca, cello
Challenge Classics CC72794. 68’55
Salvatore Lanzetti (c1710-1780) was a virtuoso Italian cellist and composer who introduced many new innovations in cello performance. He was born in Naples around 1710 and studied cello and composition there. After early employment in Lucca and Turin, he started touring around Europe, spending many years in London. Charles Burney noted Lanzetti’s role in popularizing the cello in England. His Opus 1 XII Sonate à Violoncello Solo e Baffo Continuo was published in Amsterdam in 1736 and was dedicated to Federico di Brunswick, known in England as Frederick, Prince of Wales. This magnificent recording from cellist Agnieszka Oszanca is an important contribution to recognizing the importance of Lanzetti to the cello world, and to the musical life of England. He was one of the many generations of musicians from the continent of Europe that have enlivened the musical life of England, then and now. Continue reading
Giuseppe Sammartini Concertos for the Organ, op 9.
Fabio Bonizzoni, La Rizonanza 63′ 17″
This is a re-release of a 2000 recording. Giuseppe was the elder brother of the better known Giovanni Battista Sammartini. Born in 1695, he left Milan for London in 1728, where he stayed until his death in 1750, making quite a name for himself. These concertos, published after his death for “Harpsichord or Organ”, are domestic in scale, with just two violins, cello and bass alongside the organ. It is not clear when they were composed, but they have more of a Rococo than Baroque feel to them, rather enhanced by the playing style on this CD. The spiky solo registrations are not in keeping with the English organ of the period, and nor is the over-articulated performance style. Bonizzoni keeps to the two-part structure of most of the organ solos (without infilling the harmonies, a debatable point for this repertoire), but it is a shame that he doesn’t make more of the organ when in its continuo role – it is more-or-less inaudible. The notes give no information on the organ, but I have a feeling it is later than this repertoire. It is certainly not in any English or Italian early to mid 18th century style. Two lively little Sonatas by Giovanni Battista Sammartini complete the disc.