Ensemble Masques: Routes du Cafe

Routes du Cafe
Ensemble Masques, Oliver Fortin

Alpha Classics, Alpha 543. 71’39

Coffee is an essential contribution to the lives of many travelling musicians. This fascinating CD from Ensemble Masques pays musical homage to coffee with two cantatas devoted to coffee, and instrumental music of Turkish origin or influence reflecting it’s origins in Constantinople. The programme is arranged in the form of an Ottoman fasil (suite), the two cantatas contrasted by Ottoman-style improvisations (taksim). We are taken on a tour through the cities of Europe where coffee-culture took hold – Paris, London, Constantinople and Leipzig – the latter, predictably, with Bach’s ‘Coffee’ Cantata Schweigt stille, plaudert nicht, BWV 211.

Continue reading

London Festival of Baroque Music

London Festival of Baroque Music
St John’s, Smith Square, Grosvenor Chapel. 10-18 May 2019

The 2019 London Festival of Baroque Music is the 36th in a festival series that for most of its life was under the banner of the Lufthansa Festival. It is now managed by Richard Heason, director of St John’s, Smith Square, its principal venue. This year’s theme was ‘Crossing the Border’, exploring themes of travel and discovery. The festival website notes that “Throughout history musicians and musical ideas have crossed borders freely and frequently. Although national styles and identities have always developed and often have been celebrated in music, the musicians who have created and performed this music have honed their skills and talents by exploring influences and characteristics from a wide range of influences”. In these complex UK times, it was a timely reminder of the importance of travel for music and musicians. The Baroque era was a particularly important one for international cultural influences, not least in the UK where many continental musicians moved to England, and the aristocratic Grand Tour, one result of which was the foundation of the art collections of many 18th-century country houses.  Continue reading

Buxtehude: Abendmusiken

Buxtehude: Abendmusiken
Vox Luminis, Ensemble Masques, Lionel Meunier
Alpha:
ALPHA287. 85’17

Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34
Befiehl dem Engel, dass er komm, BuxWV 10
Jesu, meine Freude, BuxWV 60
Herzlich lieb hab ich dich, o Herr, BuxWV 41
Jesu, meines lebens leben, BuxWV 62
Trio Sonatas, BuxWV 255, 267, and 272

Although the CD publicity and Peter Wollny’s programme essay credit Dietrich Buxtehude with the Lübeck Abendmusik, the famous series of Thursday early evening concerts during the five weeks leading up to Christmas were in fact founded by Buxtehude’s predecessor as organist of the Marienkirche, Franz Tunder. He died in 1667, so the roots of the evening entertainment funded by local businessmen, and free to all-comers, are well before the music heard on the recording, most of which comes from Buxtehude’s later years. As organist, rather than Kantor, of the Marienkirche, Buxtehude was not required to compose music for the weekly liturgy, so he was able to devote more time to his compositions, independent of the pressure of service writing. This resulted in a magnificent series of vocal, choral and instrumental works, much of which is still not as well known as his highly influential organ music. It was these Abendmusik concerts that attracted the young Bach and Handel to Lübeck, as well as the prospect of succeeding Buxtehude, even with the requirement to marry his sole unmarried daughter, by then considerably older than either of them. Incidentally, Buxtehude had married his predecessor’s daughter, as had Tunder and many other generations of Marienkirche organists.

This impressive recording helps to reset that balance with a well-chosen sequence of vocal and instrumental pieces, including three of his beautifully expressive Trio Sonatas. Although not specifically intended for service use, Buxtehude’s cantatas offer an insight into the Pietist sentiments of 17th-century Lübeck, with an exquisitely profound underlying sensitivity and sensuousness. Continue reading

Regensburg Tage Alter Musik 2017

Regensburg: Tage Alter Musik
2-5 June 2017

With 16 concert in four days, held over the Pentecost/Whitsun weekend, the annual Regensburg Tage Alter Musik festival is quite a challenge for a reviewer, but a sumptuous feast for those who manage to attend all the concerts, most of which are sold out. IMG_20170602_150315400.jpgThe entire centre of the historic Danube city of Regensburg has been declared a World Heritage site, and all the venues for the festival are in important historic buildings. These range from extreme Baroque and Rococo to austere Gothic churches, and the historic Reichssaal, part of the Altes Rathaus, and for centuries the permanent seat of the Parliament of the Holy Roman Empire. This was the 33rd festival and featured groups from 12 countries, and musicians from a great many more. The Tage Alter Musik website can be see here, with links through to detailed programmes and group websites. Continue reading