Early European Keyboard Music
Outhere/Ramee RAM 1916. 65’54
It is many decades since keyboard music was assumed by many to have started with Bach. This recording offers a chance to explore a little-known repertoire of music for organ and other instruments dating from the medieval period. The recording draws on manuscripts such as the Buxheimer Orgelbuch, Lochamer Liederbuch, Ileborgh Tablature, and the Montpellier, Robertsbridge, Las Huelgas, and Faenza codices. Many of the pieces are arrangements (or intabulations) of pre-existing music by, for example, Pierre des Molins, Giovanni da Firenze, Philippe de Vitry, Francesco Landini and Jacopo da Bologna. The instruments used are a metal-stringed clavisimbalum, a gut-stringed claviciterium, two portative organs and the 1730 organ in Nicolaikirche in Altenbruch in northern Germany which contains pipework from the original 1501 organ.
Johannes de Lublin tabulature (c1540)
Keyboard music from Renaissance Poland
Corina Marti, Renaissance harpsichord
Brilliant Classics, BRI95556. 74’25
Little is known about Johannes (or Joannis, Jan) de Lublin (or ‘z Lublina’) was a Polish organist and composer. He was a Canon of the monastery in Kraśnik, near Lublin and seems to have graduated from the University of Kraków and remained there as organist in the Marian Church. He moved to Kraśnik, near Lublin sometime before 1540, when the Tabvlatvra Ioannis de Lyvblyn Canonic. Reglariv de Crasnyk was bound. The music in the collection was gathered over some years, an contains a wide range of music, both sacred and secular. It was intended as a primer for organists, and contains important information about organ tuning and the principals of composing a piece around a plainchant melody, something all organists were expected to do. It is the largest known organ tablature with more than 350 compositions and a theoretical treatise. It follows in the tradition of earlier examples such as the Faenza Codex and the Buxheimer Organ Book from the previous century. Continue reading