Concerto

Concerto
Works for one & two harpsichords
Guillermo Brachetta, Menno van Delft
Resonus RES10189. 56’24

I have reviewed harpsichordist Guillermo Brachetta recordings on Resonus favourably several times before (here) but was almost immediately put off this CD by the overly mannered playing of Bach’s opening Italian Concerto (BWV 971), particularly the first two movements. Lingering on notes to this extent not only disrupts the flow of the music and the underlying pulse but, in my view, is alien to the Baroque concept of performance style as I understand it. That said, I am glad that I continued listening to the CD as this aspect of performance is not as apparent in the later pieces, even in the pieces by WF Bach and Graun where, arguably, such flexibility of rhythm and articulation might be considered rather more appropriate. Interestingly there is also no recurrence in the other JS Bach piece, the Concerto a due Cembali in C major (BWV 1061a) performed with Menno van Delft. This is the assumed original version, from around the same time as the Italian Concerto, which was later turned into a concerto with added string accompaniment. For me, this performance is the highlight of the CD,  Continue reading

Bach: Violin Concertos

Bach: Violin Concertos
Cecilia Bernardini, Dunedin Consort, John Butt
Linn. CKD 519. 60′

Concerto for violin and oboe in C minor, BWV 1060R
Violin Concerto in E major, BWV 1042
Ich hatte viel Bekümmernis, BWV 21
Violin Concerto in A minor, BWV 1041
Concerto for two violins in D minor, BWV 1043

CKD519This is a spectacular CD from the ever excellent Dunedin Consort and their leader, violinist Cecilia Bernardini, this time in a solo role. She opens and closes the programme in partnership, first with her father, the distinguished oboist, Alfredo Bernardini, and then with fellow violinist Huw Daniel. Apart from the short central Sinfonia from the cantata Ich hatte viel Bekümmernis, with its exquisite oboe solo, the rest of the nicely symmetrical programme is devoted to the playing of Cecilia Bernardini, with Bach’s E major and A minor violin concertos. And what playing it is. Subtly sensitive, and superbly articulated, she demonstrates a real grasp of Bach’s often complex melodic lines. Her delicacy of tone is matched by her fellow instrumentalists, the chamber-like quality of their playing, and John Butt’s direction and harpsichord continuo playing, being just right for the music, which was almost certainly intended for small-scale performance amongst fellow music lovers. Continue reading