JS Bach: Complete Organ Works – Volume 1, 2 & 4

JS Bach: Complete Organ Works
Volume 1 & 2 – Preludes & Fugues I & II
Ed. David Schulenberg
Breitkopf & Härtel 2013/14.
Volume 1
: Edition Breitkopf EB8801.
140 pages | 32 x 25 cm | 626 g | ISMN: 979-0-004-18372-4 | Softbound + CD-ROM
Volume 2: Edition Breitkopf EB8802.
148 pages | 32 x 25 cm | 658 g | ISMN: 979-0-004-18373-1 | Softbound + CD-ROM

Volume 4 – Toccatas and Fugues, Individual Works
Ed. Jean-Claude Zehnder
Breitkopf & Härtel 2012.
Edition Breitkopf EB8804.
184 pages | 32 x 25 cm | 793 g | ISMN: 979-0-004-18375-5 | Softbound + CD-ROM

Further to my reviews of Volumes 3 and 8 of the Breitkopf & Härtel complete Bach organ works (see here and here), I have now been sent the remaining six published editions. Two more are in preparation. The first two volumes contain the pieces generally known nowadays (but not in Bach’s day) as Preludes and Fugues, the other (Volume 4) pieces called ‘Toccata’ and other miscellaneous individual pieces with various titles. The pieces are presented in key order, starting with C major. As with the two other volumes reviewed earlier, the production quality is excellent, with clear and good-sized print, generally (but not always) helpful page turns and, most importantly, very detailed notes on the pieces and the editorial process. All three volumes include CD-ROMs with additional pieces and variants on the main pieces. The Introductions are in German and English, but the Commentary is only in German. However an English version can be found on the CD-ROM or downloaded from the Breitkopf website. The editor for the two volumes of Preludes and Fugues is David Schulenberg, with volume 4 edited by Jean-Claude Zehnder, both well established Bach scholars.  Continue reading

JS Bach: Complete Organ Works – Volume 3

JS Bach: Complete Organ Works
Volume 3 – Fantasias & Fugues
Ed. Pieter Dirksen
Breitkopf & Härtel 2016.
Edition Breitkopf EB8803. ISMN: 979-0-004-18374-8
159pp + CD-ROM

Bach Orgelwerke IIIThe new 10 volume Breitkopf & Härtel critical edition of Bach’s organ music is arriving in dribs and drabs. I reviewed volume 8 here last July, and have now been sent Volume 3. It contains all the pieces entitled ‘Fantasia’ together with isolated Fugues. In that context, it is worth stressing that there are no surviving authorized and complete Fantasia and Fugue pairs, not even the well-known Fantasia & Fugue in G minor (BWV 542). Indeed, many of the popular Preludes and Fugues were also put together by later editors, rather than by Bach.

Peter Dirksen’s detailed introductory notes (in German and English), include a discussion of discussion the historic background to the Continue reading

Buxtehude: Complete Organ Works Vol 1

Dietrich Buxtehude (1637-1707)
Complete Organ Works
Vol 1: Compositions Pedaliter
 – 18 Praeludia BuxWV 136-153 (Ed. Klaus Beckmann)
120 pages • 23 x 30.5 cm • 455 g • ISMN: 979-0-004-16866-0 • Softbound
Edition Breitkopf EB 6661

Dietrich Buxtehude holds a special place in the hearts of most organists, although this is occasionally because he is the only pre-Bach German composer that they are aware of. But, despite many years of musicological research and publications, he still remains a somewhat enigmatic composer. There is still no agreement as to his birth date or place, and what his name really was. He seems to have been born  in Helsingborg (in present day Sweden, but then part of Denmark)  as Diderich, but later changed the spelling from the Danish to a more Germanic Dietrich (or Dieterich). His surname also appears in several versions, including Box de Hude.

Producing modern editions of his organ music is fraught with potential difficulties, not least because no surviving copies of Buxtehude’s autograph copies have been found. Continue reading

Sweelinck: Complete Keyboard Works

Jan Pieterszoon Sweelinck
Complete Keyboard Works
Volume 1 – Toccatas (Ed. Harald Vogel, Peter Dirksen)

128 pages • 23 x 30,5 cm • 460 g • ISMN: 979-0-004-18206-2
Edition Breitkopf EB 8741
Volume 2 – Fantasias (Ed. Peter Dirksen,  Harald Vogel)

224 pages • 23 x 30,5 cm • 825 g • ISMN: 979-0-004-18272-7
Edition Breitkopf  EB 8742

Jan Pieterszoon Sweelinck (dubbed the ‘Orpheus of Amsterdam) was one of the most important keyboard composers at that musically fascinating period at the end of the Renaissance period and the start of the Baroque. Born in 1562, he was employed by the city of Amsterdam as organist of the Oude Kerk for 44 years until his death in 1621. Organ music in the Calvanist church was limited to occasional playing of pieces to familiarise the congregation with the choral melodies, before or after the service, but not during. So Sweelinck’s duties as city organist were generally to give concerts for the public and visitors. This have him time to build up an extensive teaching practice, attracting a generation of North German organists who returned to develop the influential Hamburg organ school that dominated the 17th century, culminating in the music Buxtehude in nearby Lübeck. His music was known throughout northern Europe, with two of his pieces includrf within the Fitzwilliam Virginal Book.

Breitkopf have published his complete keyboard works in four volumes, Continue reading

Scheidt: Keyboard music transmitted in manuscript form

Samuel Scheidt: Keyboard music transmitted in manuscript form
ed. Peter Dirksen
120pp, 230×305 mm, ISMN: 979-0-004-18395-3
Edition Breitkopf EB8831.

Following the three volumes of Scheidt’s Tabulatura Nova (reviewed here), the most recent of the Breitkopf Scheidt edition, recently published, covers the keyboard music found in manuscript sources. The importance of his three volume Tabulatura Nova has meant that the music not included in those volumes is usually overlooked, Continue reading

Scheidt: Tabulatura Nova III

Samuel Scheidt: Tabulatura Nova III
ed. Harald Vogel
192pp, 230×305 mm, ISMN: 979-0-004-18122-5
Edition Breitkopf EB8567.

Breitkopf & Härtel have completed their important four volume series of the organ and keyboard works of Samuel Scheidt. Volumes I & II of Scheidt’s monumental 1624 Tabulatura Nova were published as EB 8565 and EB 8566 (containing works SSWV 102-126 & 127-138 respectively), both edited by Harald Vogel, as is the third volume, EB 8567 reviewed here. This contains works SSWV 139-158, the nine Magnificat settings together with a Kyrie and Hymn settings and Continue reading

JS Bach: Complete Organ Works – Volume 8

JS Bach: Complete Organ Works – Volume 8
Organ Chorales of the Leipzig Manuscript
Ed. Jean-Claude Zehnder
Breitkopf & Härtel 2015
Edition Breitkopf EB8808
184pp + CD

Editions of Bach’s organ works are something of a minefield, even when there are clear autograph scores available. In many cases that is not the case, so the role of the editor and the availability and accuracy of available sources becomes an important consideration. Of all the publishers to be involved in Bach, Breitkopf & Härtel are perhaps the most appropriate. Founded in Leipzig in 1719  four years before Bach took up his post there, they were the first to publish the complete works of Bach, between 1851 and 1900 for the Bach-Gesellschaft. Unfortunately, at the moment, I only have access to one volume of their latest complete Bach Organ Works, so cannot comment on the 10 volume set as a whole.

The chorales from the Leipzig Manuscript are known by a variety of names, one of which is the ‘Eighteen Chorales’. This is misleading, not least because there are arguably either 15, 17 or 18 chorales in the collection. The first 13 Continue reading