The journey to the cross: Music for Maundy Thursday

The journey to the cross: Music for Maundy Thursday
The BBC Singers, Sir James MacMillan
St John’s, Smith Sq. 18 April 2019 

MacMillan: Strathclyde Motets; Choral Sequence from the St John Passion
Gesualdo: Responsories for Maundy Thursday

The BBC Singers invited the celebrated Scottish composer Sir James MacMillan to devise and conduct a programme of choral music for Maundy Thursday in celebration of his 60th birthday. MacMillan chose to contrast selections from his Strathclyde Motets with movements from Gesualdo’s Responsories for Maundy Thursday. It concluded with MacMillan’s dramatic Choral Sequence from the St John Passion. The Strathclyde Motets started as an initial commission for one motet for the Strathclyde University Chamber Choir. Between 2005 and 2010 it was expanded into the current 28 communion motets on Latin texts, intended for amateur choirs, but far from straightforward in the vocal techniques needed.

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French Baroque music meets Indian Classical Dance

French Baroque music meets Indian Classical Dance
BBC Singers, Academy of Ancient Music, Sofi Jeannin
Sanskriti UK & Ankh Dance
Milton Court, 19 October 2018

Lully: Te Deum 
Rameau: In convertendo Dominus;
extracts from 
Les Indes galantes, Les fêtes d’Hébé Castor et Pollux 

In what was a rather brave bit of programming for a live BBC Radio 3 broadcast, the BBC Singers and the Academy of Music, directed by Sofi Jeannin, the new Chief Conductor of the BBC Singers, presented an evening of French Baroque music, the second half of which was accompanied by two contrasting forms of Indian dance. The first half was of liturgical pieces, starting with Lully’s jubilant 1677 setting of the Te Deum. This was first heard at Fontainebleau and later became the piece that led to Lully’s death after he stabbed himself in the foot with his conducting baton during Chapel Royal celebrations for the Sun King’s recovery from surgery – surgery that Lully decided, fatally, to refuse. No such calamity occurred here as Sofi Jeannin demonstrated her commendably straightforward style of conducting, her focus clearly on the music itself rather than on any sense of self-aggrandisement. She coped well with the complications of this particular occasion, which included a late start after an overrun of the previous Radio 3 show, and complicated coordination between dances, singers, instrumentalists, a BBC announcer and the paraphernalia of a live BBC broadcast.  Continue reading

BBC Proms: Reformation Day

BBC Proms: Reformation Day
Prom 47: Bach’s ‘Little Organ Book’ past and present
Prom 48: A Patchwork Passion
Prom 49: Bach’s St John Passion
Royal Albert Hall, 20 August 2017

Prom 47: Bach’s ‘Little Organ Book’ past and present
William Whitehead, Robert Quinney, organ

The BBC Proms’ acknowledgement of the anniversary of the Lutheran Reformation came with three concerts on Sunday 20 August, starting with a lunchtime organ recital featuring the premieres of three pieces from The Orgelbüchlein Project played by its founder/director, the organist William Whitehead. The programme opened and closed with Bach’s Prelude and Fugue in E flat (from the Clavierübung III, BWV 552), played by Robert Quinney (who also played Mendelssohn’s Organ Sonata in A major (Op. 65/3)). It also included the fourth of Schumann’s Fugues on B-A-C-H and two of Bach’s own Orgelbüchlein chorale preludes played by William Whitehead and, just before the final Bach Fugue, Samuel Sebastian Wesley’s ‘Prelude to the Grand Organ Fugue by Johann Sebastian Bach’: a duet for both organists. Continue reading