Baroque at the EdgeFestival Recorded at LSO St Luke’s, London Broadcast online between7-10 January 2021, available to 31 March 2021
In pre-coronavirus days, the musically barren early days of January have been enlivened by the imaginative Baroque at the Edge Festival, usually spanning a weekend in venues around their home base of LSO at St Luke’s in London. Previous festivals are reviewed here and here. Run by Artistic Director Lindsay Kemp and Festival Manager Lucy Bending (the team behind the London Festival of Baroque Music and its predecessor, the Lufthansa Festival), the festival has secured a place in the London concert scene with their refreshing approach to Baroque music, as exemplified by such banners as “No rules, no boundaries – just Baroque music set loose” and “Imagine if Vivaldi was a folk-fiddler, Purcell a protest-singer, or Bach a techno-geek”. The more succinct and apt “No rules, no walls” for this year’s Covid-constrained festival reflected the on-line nature of the events.
Baroque at the Edge Saint James, Clerkenwell, St Luke’s Old Street Saturday 6 January 2019
With a headline of “Imagine if Bach was a jazzman, Purcell a folk-fiddler, or Monteverdi a minimalist…”, the second annual Baroque at the Edge festival made a fitting opening to the 2019 London musical calendar. Founded in 2018 by Lindsay Kemp and Lucy Bending, the team behind the London Festival of Baroque Music and the earlier Lufthansa Festival, the festival invites musicians with a classical, jazz, or folk background to “take the music of the Baroque and see where it leads them” with the promise of “No rules, no programme notes, no lectures: all you need to know is how to listen”. The festival was spread over a three day weekend, with most of the events taking place on Saturday, 6 January, after a Friday night piano recital and before a Sunday family folksinging workshop and linked lunchtime concert. Continue reading →
Baroque at the Edge Festival LSO St Lukes & St James Clerkenwell. 6 January 2018
With a headline of “Imagine if Bach was a jazzman, Vivaldi a folk-fiddler, or Handel a minimalist…”, the new Baroque at the Edge festival launched itself onto the London musical scene. Headed up by Lindsay Kemp and Lucy Bending (the pair who for many years ran the London Festival of Baroque Music and its predecessor the Lufthansa Festival), the festival invited musicians from the classical, jazz, and folk world to “take the music of the Baroque and see where it leads”. They promised “No rules, no programme notes, no lectures: all you need to know is how to listen”. The Baroque at the Edge title was also given to the May 2017 LFBM festival, the last to be directed by Lindsay Kemp and managed by Lucy Bending – a nice link to their then unannounced new festival. The Baroque at the Edge festival included six concerts and a family event, spread over a three day weekend. After an opening Friday night piano recital, the Saturday (6 January) featured four events, starting with a lunchtime concert in the impressive late Georgian church of St James, Clerkenwell.