Recital on the Wetheringsett Tudor organ

Recital on the ‘Wetheringsett’ organ, c1525
St Swithun’s, Church Street, Worcester WR1 2RH
Friday 23 June, 2017. 1.10
Andrew Benson-Wilson

the Wetheringsett organ which is a medieval replica coming on local to Halifax Minster from SuffolkThe ‘Wetheringsett’ organ is a reconstruction of a Tudor organ based on the soundboard of an organ that was found during alterations to a farmhouse in the village of that name in Suffolk. Until it was hidden away within the walls of the farmhouse, is seems to have been used as a dairy door. The many holes in the wood were initially thought to indicate some sort of protection from the evil eye, until a local organ builder recognised it as the soundboard of an organ – the bit hidden away inside the instruments where the feet of the pipes sit, and through which the air is channelled from the windchest to the pipes. Analysis of the number and size of the holes can give a pretty accurate account of the size, range and number of stops of the organ. Tree-ring dating suggests that the wood dates from around 1525, leading to suggestions that this could be the organ known to have been purchased by a large parish church in Debenham in that year.

Under the aegis of the Early English Organ Project this organ, along with a smaller instrument based on another soundboard found in Wingfield Church, Suffolk, was reconstructed by organ builders Goetze & Gwynne in 2002. Under the management of the Royal College of Organists, the Wetheringsett organ is now resident in the church of St Swithun’s in the centre of Worcester, a delightful Georgian church with box pews and a later 18th century organ.

For this recital, I will be playing English music from before, during, and just after the 1520s, with pieces from c1360 to one of Thomas Tallis’s two extraordinarily monumental Felix Namques, dating from around 1560. In contrast I will play a Voluntary by Samuel Wesley on the 1795 Grey organ, published just a few years after the date of the organ.

Robertsbridge Codex, c1360
Adesto / Firmissime / Alleluya Benedictus
John Dunstaple (Buxheimer Orgelbuch, c1460)
Sub Tuam Protectionem
Anon, c1530 (Roy 56)
Felix Namque (in 5/4)
Anon / Thomas Preston (d1563)
Uppon la mi re
Hugh Aston (c1485-1556)
A hornepype
Samuel Wesley (1766-1837)
Voluntary in B flat. Op 6/9 8’
Thomas Tallis (c1505-1585)
Felix Namque I (1562)

Admission is free, with a retiring collection.

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